Odilon Redon: Écrits
Edited by Claire Moran
Critical Texts 1•30 June 2005
‘Noa Noa’ by Paul Gauguin and Charles Morice: With ‘Manuscrit tiré du “Livre des métiers” de Vehbi-Zumbul Zadi’ by Paul Gauguin
Edited by Claire Moran
Critical Texts 50•21 August 2017
Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30•1 November 2014
Futurism: A Microhistory
Edited by Sascha Bru, Luca Somigli, and Bart Van den Bossche
Italian Perspectives 36•29 September 2017
Britain and Italy from Romanticism to Modernism: A Festschrift for Peter Brand
Edited by Martin McLaughlin
Legenda (General Series) •1 November 2000
From Art Nouveau to Surrealism: Belgian Modernity in the Making
Edited by Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness
Legenda (General Series) •5 July 2007
Théophile Gautier, Orator to the Artists: Art Journalism of the Second Republic
James Kearns
Legenda (General Series) •14 November 2007
Image, Eye and Art in Calvino: Writing Visibility
Edited by Birgitte Grundtvig, Martin McLaughlin and Lene Waage Petersen
Legenda (General Series) •23 February 2007
John Ruskin's Correspondence with Joan Severn: Sense and Nonsense Letters
Edited by Rachel Dickinson
Legenda (General Series) •23 December 2008
Adrian Stokes: An Architectonic Eye
Stephen Kite
Legenda (General Series) •23 December 2008
Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies
Edgar Wind
Legenda (General Series) •1 May 2001
Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes
Katja Haustein
Legenda (General Series) •30 January 2012
Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts
Edited by Steffen Dix and Jerónimo Pizarro
Legenda (General Series) •4 February 2011
John Ruskin's Continental Tour 1835: The Written Records and Drawings
Edited by Keith Hanley and Caroline S. Hull
Legenda (General Series) •19 December 2016
Proust Writing Photography: Fixing the Fugitive in À la recherche du temps perdu
Áine Larkin
Legenda (General Series) •26 August 2011
Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation
Sara Lyons
Legenda (General Series) •1 July 2015
Intellectual Life and Literature at Solovki 1923-1930: The Paris of the Northern Concentration Camps
Andrea Gullotta
Legenda (General Series) •15 January 2018
Louisa Waterford and John Ruskin: 'For you have not Falsely Praised'
Caroline Ings-Chambers
Legenda (General Series) •16 March 2015
Decadence and the Senses
Edited by Jane Desmarais and Alice Condé
Legenda (General Series) •17 May 2017
Balzac and the Model of Painting: Artist Stories in La Comédie humaine
Diana Knight
Research Monographs in French Studies 24•14 December 2007
Baudelaire and Photography: Finding the Painter of Modern Life
Timothy Raser
Research Monographs in French Studies 45•9 October 2015
Zola's Painters
Robert Lethbridge
Research Monographs in French Studies 68•7 June 2022
For the Love of Art
Peter Dayan
Selected Essays 10•20 October 2022
Spanish Culture from Romanticism to the Present: Structures of Feeling
Jo Labanyi
Selected Essays 11•23 September 2019
The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 54•13 September 2022
Imagining Jewish Art: Encounters with the Masters in Chagall, Guston, and Kitaj
Aaron Rosen
Studies In Comparative Literature 16•17 July 2009
Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism
Giles Whiteley
Studies In Comparative Literature 20•12 April 2010
Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22•12 April 2010
Prometheus in the Nineteenth Century: From Myth to Symbol
Caroline Corbeau-Parsons
Studies In Comparative Literature 25•3 June 2013
Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 35•1 July 2015
The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism
Michael Charlesworth
Studies In Comparative Literature 36•26 February 2018
Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43•29 September 2017
A Poetics of the Image: Paul Celan and André du Bouchet
Julian J. I. Koch
Studies In Comparative Literature 52•10 December 2021
Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022
Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini
Studies In Comparative Literature 56•26 July 2021
History Painting and Narrative: Delacroix's 'Moments'
Peter Brooks
Special Lecture Series 2•1 February 1999
Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro
Armelle Blin-Rolland
Transcript 2•22 July 2015
The Art Criticism of Francis Ponge
Shirley A. Jordan
MHRA Texts and Dissertations 36•1 January 1994
The Influence of Pre-Raphaelitism on Fin-de-Siècle Italy: Art, Beauty, and Culture
Giuliana Pieri
MHRA Texts and Dissertations 65•14 January 2007
The Integrity of the Avant-Garde: Karel Teige and the Biography of an Ambition
Peter Zusi 
Visual Culture 2•18 March 2024
Diego Rivera and Juan Rulfo: Post-Revolutionary Body Politics 1922-1965
Lucy O’Sullivan
Visual Culture 3•23 February 2022
Intermedia in Italy: From Futurism to Digital Convergence
Clodagh Brook, Florian Mussgnug and Giuliana Pieri 
Visual Culture 6•14 March 2024
The Arts in Victorian Literature
Edited by Stefano Evangelista and Catherine Maxwell
Yearbook of English Studies 40.1/2•1 January 2010