Modern Language Review 50.3

Modern Language Review 50.3

Cambridge University Press for the Modern Humanities Research Association

1 July 1955  •  128pp

Access online: At JSTOR


Contents:

257-269
The Ideal of Feminine Beauty in Medieval Literature, Especially "Harley Lyrics", Chaucer, and Some Elizabethans
Derek Brewer
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270-273
The Denouement of "Le Cid"
P. J. Yarrow
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274-280
Rousseau and the Pantheon. The Background and Implications of the Ceremony of 20 Vendémiaire Year III
D. H. Higgins
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281-287
Parallelism in the Medieval Portuguese Lyric
Dorothy M. Atkinson
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288-297
Law and the Social Order in Schiller's Thought
W. Witte
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298-306
Otto Ludwig's Conception of Environment in Drama
B. E. Schatzky
Cite
307
Miscellaneous Notes: The Revenger's Tragedy
Frank W. Wadsworth
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307-310
"Nosce Teipsum" and the Two John Davies
R. J. Schoeck
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311-315
Two Notes on Johnson's Revisions
Arthur Sherbo
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315-317
Two Borrowed Expressions in the "Charroi de Nîmes"
John P. Fox
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317-319
The Form of the "Wessobrunn Prayer II"
E. R. Friesse
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319-320
Sivrit's Secrets
J. K. Bostock
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321-322
Der von Kürenberg: MF 7, 18
H. B. Willson
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322
Correspondence
W. W. Greg
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323-324
Review of Enciclopedia dello Spettacolo. Vol. 1, A to BAR
Allardyce Nicoll
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324-325
Review of John B. Carroll, The Study of Language
Randolph Quirk
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325-326
Review of A. J. Bliss, Sir Orfeo
Phyllis Hodgson
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326-327
Review of Josephine Waters Bennett, The Rediscovery of Sir John Mandeville
Madeleine Blaess
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327-330
Review of Frank Kermode, The Arden Shakespeare. The Tempest
Winifred Nowottny
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330-331
Review of Jean Elisabeth Gagen, The New Woman: Her Emergence in English Drama (1600-1730)
M. C. Bradbrook
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331-332
Review of John M. Bullitt, Jonathan Swift and the Anatomy of Satire
James R. Sutherland
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332-333
Review of Peter Butter, Shelley's Idols of the Cave
Rosalind King
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333-335
Review of F. W. Bateson, Wordsworth: A Re-Interpretation
Edith J. Morley
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335-336
Review of René Chatton, Zur Geschichte der romanischen Verben für 'Sprechen', 'Sagen' und 'Reden'
John Orr
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336-337
Review of Maurice Cornu, Les Formes Surcomposées en Français
H. R. Saunders
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337-338
Review of Paul Imbs, Le Subjonctif en français moderne
John Orr
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338-339
Review of Lucy Tinsley, The French Expressions for Spirituality and Devotion: A Semantic Study
James Williams
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339-341
Review of R. A. Sayce, Style in French Prose: A Method of Analysis
James Williams
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341-343
Review of Maurice Delbouille, Sur la genèse de la Chanson de Roland
D. McMillan
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343-344
Review of Lester G. Crocker, Two Diderot Studies. Ethics and Esthetics
R. Niklaus
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344-345
Review of Alec R. Vidler, Prophecy and Papacy. A Study of Lamennais, the Church and the Revolution
H. J. Hunt
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345-346
Review of James C. McLaren, The Theatre of André Gide. Evolution of a Moral Philosopher
May Daniels
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347-348
Review of Alphonse V. Roche, Provençal Regionalism: A Study of the Movement in the Revue félibréenne, Le Feu and Other Reviews of Southern France
C. M. Girdlestone
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348-349
Review of J. de Vallata, José María Casas Homs, Poliodorus: Comedia Humanística Desconocida
Paul Russell
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349-352
Review of M. De Filippis, The Literary Riddle in Italy in the Seventeenth Century
R. G. Faithfull
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352-353
Review of Peter N. Dunn, Castillo Solórzano and the Decline of the Spanish Novel
Reginald F. Brown
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353-354
Review of Ernst Otto, Stand und Aufgabe der Allgemeinen Sprachwissenschaft
Simeon Potter
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354-355
Review of Horst Oppel, Der Einfluss der englischen Literatur auf die deutsche
A. Gillies
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355
Review of J. Knight Bostock, A Handbook on Old High German Literature
C. T. Carr
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356
Review of Friedrich Maurer, Die politischen Lieder Walthers von der Vogelweide
Clair Baier
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357-358
Review of Hans M. Wolff, Heinrich von Kleist. Die Geschichte seines Schaffens
E. L. Stahl
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359-360
Review of Heinrich Heine, Last Poems; Barker Fairley, Heinrich Heine
C. P. Magill
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361
Review of J. M. Lindsay, Thomas Mann
Henry Hatfield
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361-362
Review of Wiktor Weintraub, Adam Mickiewicz, The Poetry of Adam Mickiewicz
C. L. Wrenn
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