Modern Language Review 102.2

Modern Language Review 102.2

Modern Humanities Research Association

1 April 2007  •  320pp

Access online: At JSTOR


Contents:

311-325
The Secret Life of the Della Cruscan Sonnet: William Gifford's "Baviad" and "Maeviad"
Marianne Van Remoortel
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326-340
Carlyle through Nietzsche: Reading "Sartor Resartus"
Jeremy Tambling
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341-362
'Laughing at the laugh': Unhappy Consciousness in Nathanael West's "The Dream Life of Balso Snell"
Doug Haynes
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363-380
Synonymity and Semantic Variability in Medieval French and Middle English
William Rothwell
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381-396
Unpicking Female Exemplarity; Or, the Usefulness of Body Stories: Reassessing Female Communal Identity in Two Early Modern French Texts
Cathy Hampton
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397-409
Ariosto the Traveller
Ita Mac Carthy
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410-426
Paradigms of Peripheral Modernity in Lorca and Yeats
Stephen M. Hart
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427-439
In the Bard's Shadow: Shakespearian Affinities as an Obstacle to the Reception of Schiller's Plays in Britain, 1945-2005
Bettina Göbels
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440-450
'Bloss aus lemberg gebürtig': Detlev Spinell, the Austrian Jewish Aesthete in Thomas Mann's "Tristan"
Andrew Barker
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451-465
Russian Orthodoxy: A User's Manual. Church Advice Literature as a Reflection of Present-Day Reality
B. S. Weichert
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466
Review of Lisa Perfetti, The Representation of Women's Emotions in Medieval and Early Modern Culture
Andrew Breeze
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467-468
Review of Bettina Bildhauer, Medieval Blood
Richard F. M. Byrn
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468-469
Review of Ulrike Bethlehem, Guinevere: A Medieval Puzzle. Images of Arthur's Queen in the Medieval Literature of Britain and France
Catherine Batt
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469-470
Review of Sebastiano Timpanaro, Glenn W. Most, The Genesis of Lachmann's Method
Carlo Caruso
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470-471
Review of Lucile Desblache, Écrire l'animal aujourd'hui
Walter Redfern
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471-472
Review of Hans van Stralen, Choices and Conflicts: Essays on Literature and Existentialism
Valerie Howells
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472-473
Review of Will Slocombe, Nihilism and the Sublime Postmodern: The (Hi)Story of a Difficult Relationship from Romanticism to Postmodernism
Jeremy Tambling
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473-475
Review of W. J. T. Mitchell, What Do Pictures Want? The Lives and Loves of Images
David Pascoe
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475-476
Review of Guido Rings, Rikki Morgan-Tamosunas, European Cinema: Inside and out. Images of the Self and the Other in Postcolonial European Film
Pauline Small
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476-477
Review of Carol Braun Pasternack, Lisa M. C. Weston, Daniel Gillmore Calder, Sex and Sexuality in Anglo-Saxon England: Essays in Memory of Daniel Gillmore Calder
Adam Mearns
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477-478
Review of Mark Miller, Philosophical Chaucer: Love, Sex, and Agency in the 'Canterbury Tales'
Gerald Morgan
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478-479
Review of Tim William Machan, A. J. Minnis, Sources of the 'Boece'
Andrew Breeze
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479-480
Review of Derek Hughes, Janet Todd, The Cambridge Companion to Aphra Behn
Matthew Grenby
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480-481
Review of Ewan Fernie, Ramona Wray, Mark Thornton Burnett, Claire McManus, Reconceiving the Renaissance: A Critical Reader
Richard Meek
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481-482
Review of Jody Greene, The Trouble with Ownership: Literary Property and Authorial Liability in England, 1660-1730
Marialuisa Bignami
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482-483
Review of Constance C. Relihan, Cosmographical Glasses: Geographic Discourse, Gender and Elizabethan Fiction
Kate McLuskie
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483-484
Review of D. Bruce Hindmarsh, The Evangelical Conversion Narrative: Spiritual Autobiography in Early Modern England
Isabel Rivers
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484-485
Review of Yu Jin Ko, Mutability and Division on Shakespeare's Stage
John Lee
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485-486
Review of Steven N. Zwicker, The Cambridge Companion to John Dryden
Thomas Docherty
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486-487
Review of Freya Johnston, Samuel Johnson and the Art of Sinking 1709-1791
Allan Ingram
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487-488
Review of David A. Brewer, The Afterlife of Character 1726-1825
Clark Lawlor
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488-489
Review of Mary Hays, Miriam L. Wallace, Memoirs of Emma Courtney
Matthew Grenby
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489-490
Review of Sharon Ruston, Shelley and Vitality
Cian Duffy
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490-491
Review of Richard Terry, Mock-Heroic from Butler to Cowper: An English Genre and Discourse
Tom Jones
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491-492
Review of Seamus Perry, Alfred Tennyson
John Batchelor
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492-493
Review of Clark Davis, Hawthorne's Shyness: Ethics, Politics, and the Question of Engagement
John Saunders
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494-495
Review of Martha Vicinus, Intimate Friends: Women Who Loved Women, 1778-1928
Denis Flannery
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495-496
Review of Janis P. Stout, Willa Cather and Material Culture: Real World Writing, Writing the Real World
Aliki Varvogli
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496-497
Review of Michael Hinds, Stephen Matterson, Rebound: The American Poetry Book
Peter Nicholls
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497-498
Review of Dorothy J. Hale, The Novel: An Anthology of Criticism and Theory 1900-2000
Jeremy Hawthorn
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498-499
Review of Jane Potter, Boys in Khaki Girls in Print: Women's Literary Responses to the Great War 1914-1918
Geneviève Brassard
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499-500
Review of David Caplan, Questions of Possibility: Contemporary Poetry and Poetic Form
Stephen Matterson
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500-502
Review of Stewart Gregory, William Rothwell, David Trotter, Anglo-Norman Dictionary
Philip Bennett
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502-503
Review of Jean Michel Gouvard, De la langue au style
Michaël Abecassis
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503-504
Review of Wace, Arthur Wayne Glowka, Le Roman de Brut: The French Book of Brutus
Jean Blacker
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504-505
Review of Tony Hunt, Le Chant des chanz
David Trotter
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505-506
Review of Sylvie Lefèvre, Antoine de La Sale: La fabrique de l'œuvre et de l'écrivain (Suivi de l'édition critique du 'Traité des anciens et des nouveaux tournois')
Sandra Bialystok
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506-507
Review of Eva Kushner, Le Dialogue à la Renaissance: Histoire et poétique
Hugh Roberts
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507-508
Review of David Cowling, Conceptions of Europe in Renaissance France
Hugh Roberts
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508-509
Review of Peter Sharratt, Bernard Salomon: Illustrateur lyonnais
Kathryn Banks
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509
Review of Béatrice Alonso, Éliane Viennot, Louise Labé 2005
Gabriella Scarlatta Eschrich
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510
Review of Concetta Cavallini, 'Cette belle besogne': Étude sur le journal de voyage de Montaigne
H. Porter Abbott
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511
Review of Fernand Hallyn, Descartes: Dissimulation et ironie
Ian Maclean
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511-512
Review of Jean de La Bruyère, Louis-Ellies Du Pin, Richard Parish, Dialogues posthumes sur le quiétisme
D. J. Culpin
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512-513
Review of Louis Sala-Molins, John Conteh-Morgan, Dark Side of the Light: Slavery and the French Enlightenement
David Adams
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513-514
Review of Charles de Fieux, Chevalier de Mouhy, Henry Duranton, La Paysanne parvenue; Ou, les Mémoires de madame la Marquise de L** V**
Denis D. Grélé
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514-515
Review of Mark Darlow, Revolutionary Culture: Continuity and Change
Máire F. Cross
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515-516
Review of Ceri Crossley, Consumable Metaphors: Attitudes Towards Animals and Vegetarianism in Nineteenth-Century France
Lucile Desblache
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516-517
Review of Philippe Destruel, L'Écriture nervalienne du temps: L'expérience de la temporalité dans l'œuvre de Gérard de Nerval
Maurice Blackman
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517-518
Review of Timothy Unwin, Jules Verne: Journeys in Writing
Arthur B. Evans
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518-519
Review of Pierre Glaudes, Léon Bloy 6: Bloy critique
Pádraig Ó. Gormaile
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519-520
Review of Bernard Brun, Juliette Hassine, Marcel Proust 5: Proust au tournant des siècles 2
W. L. Hodson
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520-521
Review of Aude Le Roux-Kieken, Imaginaire et écriture de la mort dans l'œuvre de Marcel Proust
Robin MacKenzie
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521-522
Review of André Benhaïm, 'Panim': Visages de Proust
Jane Walling
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522-523
Review of Marie-Ange Bartholomot Bessou, L'Imaginaire du féminin dans l'œuvre de Renée Vivien
Diana Holmes
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523-524
Review of Stéphane Chaudier, Françoise Lioure, Les Langages de Larbaud
David Roe
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524-526
Review of Michael Sheringham, Everyday Life: Theories and Practices from Surrealism to the Present
Elza Adamowicz
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526-527
Review of Julia Walters, Duras and Indochina: Postcolonial Perspectives
Catherine Rodgers
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527-528
Review of Max Silverman, Frantz Fanon, Frantz Fanon's 'Black Skin White Masks': New Interdisciplinary Essays
Jean Khalfa
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528-529
Review of Richard J. Golsan, French Writers and the Politics of Complicity: Crises of Democracy in the 1940s and 1990s
Angela Kimyongür
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529-530
Review of Rachel Killick, Uncertain Relations: Some Configurations of the 'Third Space' in Francophone Writings of the Americas and of Europe
E. H. Jones
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530-531
Review of Marja Warehime, Maurice Pialat
Kate Ince
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531-532
Review of Mark Robson, Jacques Rancière: Aesthetics, Politics, Philosophy
Christopher Carlton
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532-533
Review of Gavin Bowd, Le Monde de Houellebecq
Martin Crowley
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533-534
Review of Olivier Larizza, Le Reliquat scintillant: Pour une renaissance de la critique littéraire
R. A. York
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534-535
Review of Cormac Ó. Cuilleanáin, Corinna Salvadori, John Scattergood, Italian Culture: Interactions, Transpositions, Translations
Peter Brand
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536-537
Review of Anthony Julian Tamburri, Semiotics of Re-Reading: Guido Gozzano, Aldo Palazzeschi, Italo Calvino
Emmanuela Tandello
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537-538
Review of John Butcher, Mario Moroni, From Eugenio Montale to Amelia Rosselli: Italian Poetry in the Sixties and Seventies
Catherine O'Brien
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538-540
Review of David George, Theatre in Madrid and Barcelona, 1892-1936: Rivals or Collaborators?
John London
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540-541
Review of José M. del Pino, Del tren al aeroplano: Ensayos sobre la vanguardia española
John McCulloch
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541-545
Review of María Estela Harretche, Federico García Lorca: Análisis de una revolución teatral
María M. Delgado
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545-546
Review of Alison Ribeiro de Menezes, Juan Goytisolo: The Author as Dissident
Stuart Davis
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546-547
Review of Komla Aggor, Francisco Nieva and Postmodernist Theatre
Montserrat Roser i Puig
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547
Review of Silvia Bermúdez, La esfinge de la escritura: La poesía ética de Blanca Varela
Stephen M. Hart
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548-549
Review of Danny J. Anderson, Jill S. Kuhnheim, Cultural Studies in the Curriculum: Teaching Latin America
Philip Swanson
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549-550
Review of Karl S. Guthke, Die Erfindung der Welt: Globalität und Grenzen in der Kulturgeschichte der Literatur
Florian Krobb
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550-551
Review of Sigrid Weigel, Genea-Logik: Generation, Tradition und Evolution zwischen Kultur- und Naturwissenschaften
Anne Fuchs
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551-552
Review of Helmut Dworschak, Milch und Acker: Körperliche und sexuelle Aspekte der religiösen Erfahrung am Beispiel der Bußdidaxe des Strickers
Elizabeth Andersen
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552-553
Review of Dirk Niefanger, Geschichtsdrama der Frühen Neuzeit 1495-1773
Alan Menhennet
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553-555
Review of Charlotte Coulombeau, Le Philosophique chez Gotthold Ephraim Lessing: Individu et vérité
H. B. Nisbet
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555-556
Review of Ute Tintemann, Christof Wingertszahn, Karl Philipp Moritz in Berlin 1789-1793
Martin Davies
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556-557
Review of Frieder von Ammon, Ungastliche Gaben: Die 'Xenien' Goethes und Schillers und ihre literarische Rezeption von 1796 bis in die Gegenwart
Meredith Lee
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558-560
Review of Simon Richter, The Literature of Weimar Classicism
David Pugh
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560-561
Review of Susan Bernofsky, Foreign Words: Translator-Authors in the Age of Goethe
Charlie Louth
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562-563
Review of Karin Wurst, Fabricating Pleasure: Fashion, Entertainment, and Cultural Consumption in Germany 1780-1830
Laura Martin
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563-564
Review of Christoph Prignitz, Bürgerliches Leben im Zeichen der Uhr: Bemerkungen zu einer literarischen Kontroverse um 1800 in Deutschland
Theodore Ziolkowski
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564-565
Review of Petra Wulbusch, Therese Huber und Emil von Herder: Zum Geschlechterdiskursum 1800
Anna Richards
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565-567
Review of Hilary Brown, Benedikte Naubert (1756-1819) and Her Relations to English Culture
Barbara Becker-Cantarino
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567-568
Review of Brent O. Peterson, History, Fiction and Germany: Writing the Nineteenth-Century Nation
Charlotte Woodford
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568-569
Review of Hans-Gerd von Seggern, Nietzsche und die Weimarer Klassik
Roger Stephenson
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569-570
Review of Margherita Versari, Asta von Unger, Strategien der Liebesrede in der Dichtung Stefan Georges
Christophe Fricker
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570-571
Review of Friedrich Voit, Karl Wolfskehl: Leben und Werk im Exil
Roger Paulin
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571-572
Review of James M. Skidmore, The Trauma of Defeat: Ricarda Huch's Historiography during the Weimar Republic
Steffan Davies
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572-573
Review of Eric L. Santner, On Creaturely Life: Rilke, Benjamin, Sebald
Ben Hutchinson
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573-574
Review of Herbert Lehnert, Eva Wesseli, Thomas Mann, A Companion to the Works of Thomas Mann
Nicholas Martin
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574-576
Review of Peter-André Alt, Franz Kafka: Der ewige Sohn. Eine Biographie
Julian Preece
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576-577
Review of Frank Krause, Klangbewusster Expressionismus: Moderne Techniken des rituellen Ausdrucks
James Rolleston
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577-579
Review of Simon Karcher, Sachlichkeit und elegischer Ton: Die späte Lyrik von Gottfried Benn und Bertolt Brecht: Ein Vergleich
Brian Keith-Smith
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579-580
Review of Marco Schickling, Hermann Hesse als Literaturkritiker
Ingo Cornils
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580-581
Review of Alexander Stephan, Exile and Otherness: New Approaches to the Experience of the Nazi Refugees
J. M. Ritchie
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581-582
Review of Rodney Symington, The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich
Roger Paulin
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582-583
Review of Benedikt Engels, Das lyrische Umfeld der 'Danziger Trilogie' von Günter Grass
Ruth J. Owen
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583-584
Review of Morwenna Symons, Room for Manœuvre: The Role of Intertext in Elfriede Jelinek's 'Die Klavierspielerin', Günter Grass's 'Ein weites Feld', and Herta Müller's 'Niederungen' and 'Reisende auf einem Bein'
Margaret Littler
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584-585
Review of Stuart Parkes, Fritz Wefelmeyer, Seelenarbeit an Deutschland: Martin Walser in Perspective
Bill Niven
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585-586
Review of Paul Cooke, Representing East Germany since Unification: From Colonization to Nostalgia
Brad Prager
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587-588
Review of Peter Hutchinson, Landmarks in German Comedy
Brian Keith-Smith
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588-589
Review of Wolfgang Bunzel, Das deutschsprachige Prosagedicht: Theorie und Geschichte einer literarischen Gattung der Moderne
Dirk Göttsche
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589-590
Review of Roger Hillman, Unsettling Scores: German Film, Music, and Ideology
Ben Morgan
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590-591
Review of John A. McCarthy, Remapping Reality: Chaos and Creativity in Science and Literature (Goethe, Nietzsche, Grass)
Paul Bishop
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591-592
Review of Marianne Henn, Irmela von der Lühe, Anita Runge, Geschichte(n) erzählen: Konstruktionen von Vergangenheit in literarischen Werken deutschsprachiger Autorinnen seit dem 18. Jahrhundert
Hilary Brown
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592-594
Review of Waltraud Maierhofer, Hexen, Huren, Heldenweiber: Bilder des Weiblichen in Erzähltexten über den Dreißigjährigen Krieg
Susanne Kord
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594-596
Review of Gabrijela Mecky Zaragoza, 'Da befiel sie Furcht und Angst...': Judith im Drama des 19. Jahrhunderts; Barbara Hindinger, Tragische Helden mit verletzten Seelen: Männerbilder in den Dramen Friedrich Hebbels
Helen Watanabe-O'Kelly
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596-597
Review of Volker Mergenthaler, Völkerschau, Kannibalismus, Fremdenlegion: Zur Ästhetik der Transgression (1897-1936)
Florian Krobb
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597-598
Review of Matthias Fiedler, Zwischen Abenteuer, Wissenschaft und Kolonialismus: Der deutsche Afrikadiskursim 18. Und 19. Jahrhundert
Dirk Göttsche
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598-599
Review of Sara Eigen, Mark Larrimore, The German Invention of Race
Florian Krobb
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599-600
Review of Helen Chambers, Violence, Culture and Identity: Essays on German and Austrian Literature, Politics and Society
Susanne Kord
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600-602
Review of Joseph Sherman, Ritchie Robertson, The Yiddish Presence in European Literature: Inspiration and Interaction
Hugh Denman
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602-603
Review of Joseph Sherman, Yiddish after the Holocaust
Elizabeth Loentz
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603-604
Review of Rory McTurk, A Companion to Old Norse-Icelandic Literature
Carolyne Larrington
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604-606
Review of Andreas Blödorn, Zwischen den Sprachen: Modelle transkultureller Literatur bei Christian Levin Sander und Adam Oehlenschläger
Peter Skrine
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606-607
Review of Sverre Lyngstad, Knut Hamsun, Novelist: A Critical Assessment
Janet Garton
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607-608
Review of Thomas Seifrid, The Word Made Self: Russian Writings on Language
Adam Fergus
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608-609
Review of Derek Offord, Natalia Gogolitsyna, Using Russian: A Guide to Contemporary Usage
Noel C. Brackney
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609-610
Review of Edith W. Clowes, Fiction's Overcoat: Russian Literary Culture and the Question of Philosophy
Craig Brandist
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610-612
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612-613
Review of Evgeny Dobrenko, Aesthetics of Alienation: Reassessment of Early Soviet Cultural Theories
Petre Petrov
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613-614
Review of Lesley Milne, Zoshchenko and the Ilf-Petrov Partnership: How They Laughed
Julie Curtis
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614-616
Review of Catriona Kelly, Comrade Pavlik: The Rise and Fall of a Soviet Boy Hero
Nancy Condee
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616-617
Review of Bruce Adams, Tiny Revolutions in Russia: Twentieth-Century Soviet and Russian History in Anecdotes
Seth Graham
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617-618
Review of Yana Meerzon, The Path of a Character: Michael Chekhov's Inspired Acting and Theatre Semiotics
Maria Shevtsova
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