Modern Language Review 100.1

Modern Language Review 100.1

Modern Humanities Research Association

1 January 2005  •  288pp

Access online: At JSTOR


Contents:

1-19
Lemuel Self-Translated; Or, Being an Ass in Houyhnhnmland
Michael J. Franklin
Cite
20-36
Reading and Writing in "Persuasion"
John Pikoulis
Cite
37-50
Reading (And) the Late Poems of Sylvia Plath
Paul Mitchell
Cite
51-67
"Un grand coup de pied dans le château de cubes": Formal Experimentation in Marie Darrieussecq's "Bref séjour chez les vivants"
Shirley Jordan
Cite
68-77
From "Romance" to "L'Amour, Roman": Camille Laurens's Rewriting of the Family Novel
Sarah Capitanio
Cite
78-96
An Unknown Episode of Burchiello's Reception in the Early Cinquecento: Florence, Biblioteca Riccardiana, MS 2725, fols 80r-131v
Michelangelo Zaccarello
Cite
97-112
Chimeras of Progress, Mirages of Modernity: Abel Posse's "El inquietante día de la vida"
Kerstin Bowsher
Cite
113-120
Josep Maria Junoy's Four- and Five-Line Poems in "El Dia": A Meditation on the Haiku
Jordi Mas López
Cite
121-137
Schiller and the Mannheim National Theatre
Lesley Sharpe
Cite
138-160
Bertolt Brecht's "Furcht und Elend des III. Reiches" and the Moscow "Realism" Controversy
John White
Cite
161-184
The Poetics of Legend: The Paradigmatic Approach to Legend in Danilo Kiš's "A Tomb for Boris Davidovich"
Vladimir Zorić
Cite
185-186
Review of Myriam Roman, Anne Tomiche, Figures du parasite
Walter Redfern
Cite
186-187
Review of Anke Bernau, Ruth Evans, Sarah Salih, Medieval Virginities
Mary Swan
Cite
187-188
Review of Dominique de Courcelles, Langages mystiques et avènement de la modernité
Sylvia Huot
Cite
188-189
Review of Yasmin Haskell, Loyola's Bees: Ideology and Industry in Jesuit Latin Didactic Poetry
J. W. Binns
Cite
189-190
Review of Ottmar Ette, Katharina Vester, Literature on the Move
David Henn
Cite
190-191
Review of Joëlle Prungnaud, La Cathédrale
Christopher Smith
Cite
191-193
Review of Gunnthórunn Gudmundsdóttir, Borderlines: Autobiography and Fiction in Postmodern Life Writing
Ursula Fanning
Cite
193-194
Review of Patrick Cheney, Frederick A. de Armas, European Literary Careers: The Author from Antiquity to the Renaissance
María Jesús Lorenzo Modia
Cite
194-196
Review of Alan Young, 'Hamlet' and the Visual Arts, 1709-1900
Christie Carson
Cite
196-197
Review of Charles Edelman, The Merchant of Venice
Grace Ioppolo
Cite
197-198
Review of Brian Vickers, 'Counterfeiting' Shakespeare: Evidence, Authorship, and John Ford's 'Funerall Elegye'
Katherine Duncan-Jones
Cite
198-199
Review of Rocco Coronato, Jonson versus Bakhtin: Carnival and the Grotesque
Ronald Knowles
Cite
199-200
Review of John Donne, David Colclough, John Donne's Professional Lives
Alex Davis
Cite
200-201
Review of Nick Rawlinson, William Blake's Comic Vision
Brian Wilkie
Cite
201-202
Review of Gurion Taussig, Coleridge and the Idea of Friendship, 1789-1804
David Vallins
Cite
202-203
Review of Jennifer Schacker, National Dreams: The Remaking of Fairy Tales in Nineteenth-Century England
Yuko Ashitagawa
Cite
203-205
Review of Anne Stott, Hannah More: The First Victorian
Judy Simons
Cite
205-206
Review of Grahame Smith, Dickens and the Dream of Cinema
David Seed
Cite
207-208
Review of Susan Goodman, Civil Wars: American Novelists and Manners, 1880-1940
Claire Preston
Cite
208-209
Review of A. J. Holden, S. Gregory, History of William Marshall, Vol. I: Text and Translation (ll. 1-10031)
Leslie C. Brook
Cite
209-210
Review of D. W. Russell, La vye de seynt Fraunceys d'Assise (MS Paris, BNF, Fonds Français 13505)
K. Janet Ritch
Cite
210-211
Review of Alan Howe, Archives nationales: documents du Minutier Central des notaires de Paris. Le théâtre professionnel à Paris 1600-1649
Jan Clarke
Cite
211-212
Review of Thomas Woolston, William Trapnell, Six discours sur les miracles de Notre Sauveur: deux traductions manuscrites du XVIIIe siècle dont une de Mme Du Châtelet
Graham Gargett
Cite
212-213
Review of Deborah Jenson, Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France
Nigel Harkness
Cite
213-214
Review of Olivier Got, Les Jardins de Zola: psychanalyse et paysage mythique dans 'Les Rougon-Macquart'
Larry Duffy
Cite
214
Review of Laurence Brogniez, Préraphaélisme et symbolisme: peinture littéraire et image poétique
Joy Newton
Cite
215
Review of Arthur Rimbaud, Steve Murphy, Œuvres complètes, Vol. IV: Fac-similés
Gerald Macklin
Cite
215-216
Review of Sergio Sacchi, Olivier Bivort, André Guyaux, Mario Matucci, Études sur les 'Illuminations' de Rimbaud
Gerald Macklin
Cite
216-217
Review of Agnès Lhermitte, Palimpseste et merveilleux dans l'œuvre de Marcel Schwob
Peter Cogman
Cite
217-218
Review of Anna de Noailles, Catherine Perry, Persephone Unbound: Dionysian Aesthetics in the Works of Anna de Noailles
Peter Cogman
Cite
218-219
Review of Eleanor Kaufman, The Delirium of Praise: Bataille, Blanchot, Deleuze, Foucault, Klossowski
Leslie Hill
Cite
219
Review of Christiane Moatti, Julien Dieudoné, André Malraux II: Malraux lecteur
Chris Shorley
Cite
219-220
Review of Brian Nelson, Anne Freadman, Philip Anderson, Telling Performances: Essays on Gender, Narrative, and Performance
Mairéad Hanrahan
Cite
220-221
Review of Martin Crowley, Robert Antelme: Humanity, Community, Testimony
Kathryn Robson
Cite
221-222
Review of Claire Gorrara, The 'Roman Noir' in Post-War French Culture: Dark Fictions
Emer O'Beirne
Cite
222
Review of Claude Leroy, Blaise Cendrars 5: portraits de l'artiste
Stephen Forcer
Cite
223
Review of Kamal Salhi, Francophone Post-Colonial Cultures: Critical Essays
David Murphy
Cite
224
Review of Claire L. Dehon, Le Réalisme africain: le roman francophone en Afrique subsaharienne
Andy Stafford
Cite
224-225
Review of Aimé Césaire, Clayton Eshleman, Annette Smith, Notebook of a Return to the Native Land
Martin Munro
Cite
225-226
Review of David P. Geggus, The Impact of the Haitian Revolution in the Atlantic World
Martin Munro
Cite
226-227
Review of Aidan Coveney, The Sounds of Contemporary French: Articulation and Diversity
David Hornsby
Cite
227
Review of Sándor Hervey, Ian Higgins, Thinking French Translation: A Course in Translation Method. French to English
Nigel Armstrong
Cite
227-228
Review of Victoria Best, An Introduction to Twentieth-Century French Literature
Colin Davis
Cite
228-229
Review of Anna Laura Lepschy, Arturo Tosi, Multilingualism in Italy Past and Present
Helena Sanson
Cite
229-230
Review of David Gibbons, Metaphor in Dante
Paola Nasti
Cite
230-232
Review of Sherry Roush, Hermes' Lyre: Italian Poetic Self-Commentary from Dante to Tommaso Campanella
Simon A. Gilson
Cite
232-233
Review of Annibal Guasco, Peggy Osborn, Discourse to Lady Lavinia His Daughter
Ita Mac Carthy
Cite
233-234
Review of Paola Malpezzi Price, Moderata Fonte, Women and Life in Sixteenth Century Venice
Laura Lepschy
Cite
234-235
Review of Paolo Bartoloni, Interstitial Writing: Calvino, Caproni, Sereni and Svevo
Lucie Benchouiha
Cite
235-237
Review of Carlo Testa, Masters of Two Arts: Re-Creation of European Literatures in Italian Cinema
Carmine Mezzacappa
Cite
237-238
Review of Paul R. Olson, The Great Chiasmus: Word and Flesh in the Novels of Unamuno
Donald L. Shaw
Cite
238-239
Review of Carolyn A. Nadeau, Women of the Prologue: Imitation, Myth, and Magic in 'Don Quixote I'
Idoya Puig
Cite
239-240
Review of Rita Catrina Imboden, Carmen de Burgos 'Colombine' y la novela corta
Anja Louis
Cite
240
Review of Stephen M. Hart, César Vallejo: A Critical Bibliography of Research
Philip Swanson
Cite
240-242
Review of Carmen Teresa Hartman, Cabrera Infante's 'Tres tristes tigres': The Trapping Effect of the Signifier over Subject and Text
William Rowlandson
Cite
242-244
Review of Mathias Herweg, Ludwigslied, De Heinrico, Annolied: Die deutschen Zeitdichtungen des frühen Mittelalters im Spiegel der wissenschaftlichen Rezeption und Erforschung
Graeme Dunphy
Cite
244-246
Review of Angelika Lehmann-Benz, Ulrike Zellmann, Urban Küsters, Schnittpunkte: Deutsch-Niederländische Literaturbeziehungen im späten Mittelalter
Elsa Strietman
Cite
246-247
Review of Hans-Gert Roloff, Christiane Caemmerer, Walter Delabar, Jörg Jungmayr, Wolfgang Neuber, Kleine Schriften zur Literatur des 16. Jahrhunderts
John L. Flood
Cite
247-248
Review of Klaus Conermann, Gabriele Ball, Andreas Herz, Briefe der Fruchtbringenden Gesellschaft und Beilagen: Die Zeit Fürst Ludwigs von Anhalt-Köthen 1617-1650, series Ia (Köthen), Vol. III
Anthony J. Harper
Cite
248-249
Review of Andrea Heinz, 'Der Teutsche Merkur': Die erste deutsche Kulturzeitschrift?
John L. Flood
Cite
250
Review of Marianne Henn, Holger A. Pausch, Body Dialectics in the Age of Goethe
Osman Durrani
Cite
251
Review of Alan Corkhill, Glückskonzeptionen im deutschen Roman von Wielands 'Agathon' bis Goethes 'Wahlverwandtschaften'
Martin Swales
Cite
251-253
Review of Stefan Nienhaus, Geschichte der deutschen Tischgesellschaft
Roger Paulin
Cite
253-255
Review of Anthony J. Harper, Margaret C. Ives, Sappho in the Shadows: Essays on the Work of German Women Poets of the Age of Goethe (1749-1832)
Judith Purver
Cite
255-256
Review of Chung-Sun Kwon, Studien zur Idee des 'Gesamtkunstwerks' in der Frühromantik: Zur Utopie einer Musikanschauung von Wackenroder bis Schopenhauer
Brian Keith-Smith
Cite
256-258
Review of Birgit Röder, A Study of the Major Novellas of E. T. A. Hoffmann
Sheila Dickson
Cite
258-259
Review of Christine Geffers Browne, Theodor Storm: Das Spannungsverhältnis zwischen Glauben und Aberglauben in seinen Novellen
Helen Chambers
Cite
259-260
Review of Hugo von Hofmannsthal, Thomas A. Kovach, A Companion to the Works of Hugo von Hofmannsthal
Brian Keith-Smith
Cite
260-261
Review of Christoph König, Hofmannsthal: Ein moderner Dichter unter den Philologen
Robert Vilain
Cite
261-262
Review of Claudia Gremler, 'Fern im dänischen Norden ein Bruder': Thomas Mann und Hermann Bang. Eine literarische Spurensuche
Sabine Strümper-Krobb
Cite
262-264
Review of Stephanie Burrows, Tucholsky and France
Robert Vilain
Cite
264
Review of Kerstin Barndt, Sentiment und Sachlichkeit: Der Roman der Neuen Frau in der Weimarer Republik
Anna Richards
Cite
265-266
Review of Anna Seghers, Christiane Zehl Romero, Und ich brauch doch so schrecklich Freude: Tagebuch 1924/1925. Die Legende von der Reue des Bischofs Jehan d'Aigremont von St. Anne in Rouen; Anna Seghers, Alexander Stephan, Die Entscheidung
Ian Wallace
Cite
266-267
Review of Günter Eich, Bertolt Brecht, Matthew Philpotts, The Margins of Dictatorship: Assent and Dissent in the Work of Günter Eich and Bertolt Brecht
Steve Giles
Cite
267-269
Review of Christine Hummel, Intertextualität im Werk Heinrich Bölls
Joshua Reid
Cite
269-270
Review of Sander L. Gilman, Jurek Becker: Die Biographie
Pól Ó Dochartaigh
Cite
270-271
Review of Mark R. McCulloh, Understanding W. G. Sebald
Anne Fuchs
Cite
271-272
Review of Valerie A. Kivelson, Robert H. Greene, Orthodox Russia: Belief and Practice under the Tsars
S. K. Rock
Cite
272-273
Review of Joan Neuberger, Ivan the Terrible
Maureen Perrie
Cite
273-274
Review of Nicholas Luker, Out of the Shadows: Neglected Works in Soviet Prose. Selected Essays
David Gillespie
Cite
274-275
Review of Jukka Gronow, Caviar with Champagne: Common Luxury and the Ideals of the Good Life in Stalin's Russia
David MacFadyen
Cite
276-277
Review of Alison Chapman, Jane Stabler, Unfolding the South: Nineteenth-Century British Women Writers and Artists in Italy
Antonella Braida
Cite

This title is distributed on behalf of MHRA by Ingram’s. Booksellers and libraries can order direct from Ingram by setting up a free ipage® Account: click here for more.


Permanent link to this title: