Series | Extent | Year | Author | Title |
MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
MI 6 | 224pp | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
MI 8 | 198pp | 2017 | Calum Watt | Blanchot and the Moving Image |
MI 9 | 184pp | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
MI 14 | 244pp | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
MI 13 | 198pp | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
MI 11 | — | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
MI 10 | — | 2024 | Stephan Hilpert, Andrew J. Webber | Screening Work |
MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
MI 15 | 176pp | 2024 | Patrick Brian Smith | Spatial Violence and the Documentary Image |
MI 7 | 218pp | 2018 | Patrick ffrench | Thinking Cinema with Proust |