👤 Claude Gellée, 'le Lorrain' (1600-82), French painter

Published January 2020

Poetry, Painting, Park: Goethe and Claude Lorrain
Franz R. Kempf
Germanic Literatures 22

  • ‘Few are the writers who have the competence truly to be interdisciplinary and Franz Kempf is one of them. In Poetry, Painting, Park (Legenda) he carefully lays out the complex intellectual links forged by Johann Wolfgang von Goethe from his life-long considerations of Claude’s landscapes. Kempf fluently ranges over the consequences of Goethe’s encounter with Claude— literature and literary theory, painting and drawing, horticulture and garden design, philosophy, natural science and optics, reality and spirituality—to arrive at striking a double portrait.’ — Donald Lee, The Art Newspaper Blog Books of the Year, 25 December 2020
  • ‘This long overdue task [of studying Goethe and Claude Lorrain] has been accomplished in a near exemplary monograph by Franz Kempf, in a finely produced volume that does elegant justice to its subject... It will doubtless become a standard work and will open up broad vistas for future research.’ — Jeremy Adler, The Art Newspaper 334, May 2021
  • ‘Franz R. Kempf’s exciting volume titled Poetry, Painting, Park: Goethe and Claude Lorrain is about each of these forms of art and artists listed in the title, separately and taken together... Kempf really is convincing in his aims of guiding us through the densely interwoven patterns of influences around Goethe.’ — Zoltán Somhegyi, British Journal of Aesthetics 20 October 2021 (full text online)
  • ‘Aufgrund seiner rhetorischen Anlage lädt das vorliegende Buch dazu ein, sich darin auf ähnliche Weise zu bewegen, wie wenn man durch eine Landschaft oder, besser noch: durch einen Park spaziert.’ — Karlheinz Lüdeking, Arbitrium 40.3, 2022, 333-37 (full text online)
  • ‘La richesse du travail de Kempf consiste alors dans le refus d’analyser le rapport entre les deux hommes comme un simple rapport d’influence. [...] Cette audace interprétative est couplée à la précision d’un germaniste soucieux de faire droit à la singularité de chaque mot et qui refuse de se contenter de tracer à grands traits une théorie générale de l’ekphrasis.’ — Francis Haselden, Nouvelle revue d’esthétique 30, 2022, 151-54 (full text online)