Literature and Art
Conversations and Collaborations

Edited by Elizabeth Benjamin and Sophie Corser

MHRA Working Papers in the Humanities 9

Modern Humanities Research Association

6 January 2015

Art


Contents:

1-8
Introduction
Elizabeth Benjamin, Sophie Corser
Read
Cite
9-20
Text, Artefact and the Creative Process: ‘The Sad, Bewildered Quills’ of Guido Cavalcanti
David Bowe
Read
Cite
21-34
Medusan Figures: Reading Percy Bysshe Shelley and Walter Benjamin
Mathelinda Nabugodi
Read
Cite
35-44
The Painter in the Novel, the Novelist in the Painting: 'To the Lighthouse' and Vanessa Bell’s 'Portraits of Virginia Woolf'
Annalisa Federici
Read
Cite
45-56
Surrealist Cross-Pollinations and Confrontations of Image and Text in Paul Éluard and Max Ernst’s 'Les Malheurs des immortels'
Lauren Van Arsdall
Read
Cite
57-66
Michel Butor’s 'Les Mots dans la peinture': A ‘Museum of Words’?'
Elizabeth Geary Keohane
Read
Cite
67-83
‘La transgression ne m’intéresse pas, pour le dire brutalement’: Michel Houellebecq, critic of transgression
Russell Williams
Read
Cite

Bibliography entry:

Benjamin, Elizabeth, and Sophie Corser (eds), Literature and Art: Conversations and Collaborations (= MHRA Working Papers in the Humanities, 9 (2015)) <http://www.mhra.org.uk/publications/wph-9> [accessed 28 October 2020]

First footnote reference: 35 Literature and Art: Conversations and Collaborations, ed. by Elizabeth Benjamin and Sophie Corser (= MHRA Working Papers in the Humanities, 9 (2015)) <http://www.mhra.org.uk/publications/wph-9> [accessed 28 October 2020], p. 21.

Subsequent footnote reference: 37 Benjamin and Corser, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Benjamin, Elizabeth, and Sophie Corser (eds). 2015. Literature and Art: Conversations and Collaborations (= MHRA Working Papers in the Humanities, 9) <http://www.mhra.org.uk/publications/wph-9> [accessed 28 October 2020]

Example citation: ‘A quotation occurring on page 21 of this work’ (Benjamin and Corser 2015: 21).

Example footnote reference: 35 Benjamin and Corser 2015: 21.

(To see how these citations were worked out, follow this link.)


This title is an online publication by the Modern Humanities Research Association. All rights reserved.


Permanent link to this title: