Adrian Stokes: An Architectonic Eye
Stephen Kite
Legenda (General Series) 23 December 2008

  • ‘This marvelous book, which is focused on Stokes's writings on the Renaissance, provides a full and highly original account of the writer's development. Clearly written and well illustrated, it tells the story accurately... All future readers of Stokes will be indebted to Kite's tactful and comprehensive commentary.’ — David Carrier, caa.reviews 4 February 2009
  • ‘Admirably clear in providing the first account of the architectural basis of Stokes’ journey toward beauty from the ugliness of Edwardian London as he remembered it after the First World War.’ — Janet Sayers, American Imago 68.3, 2011, 561–67

After Bataille: Sacrifice, Exposure, Community
Patrick ffrench
Legenda (General Series) 24 August 2007

  • ‘In pursuing Bataille’s legacy ffrench seeks not simply to see where it has got to but makes an invaluable contribution to it.’ — Patrick Crowley, Modern Language Review 105.1, January 2010, 254-55 (full text online)
  • ‘Patrick ffrench’s outstanding study provides multiple, meticulously drawn contexts in which Bataille’s writing and thought emerge in a new light, in terms both of their own development over some three decades and of their relation to other, key intellectual trajectories before, during and after that period... essential reading not only for those interested in Bataille but also for anyone concerned with the intellectual and literary history of twentieth-century France.’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 112-13

After Reception Theory: Fedor Dostoevskii in Britain, 1869-1935
Lucia Aiello
Legenda (General Series) 25 September 2013

  • ‘This new study complements a number of existing accounts of Dostoevsky reception in Britain and adds to our understanding of Anglo-Russian cul- tural exchange more generally. It also explores the current state of reception studies in the literary humanities (which it views rather pessimistically), creatively blurring the distinction between ques- tions of individual aesthetic reaction (‘reader response’) and patterns of transmission and cultural exchange.’ — unsigned notice, Forum for Modern Language Studies 51.1, January 2015, 87
  • ‘This book calls attention to the complexity of reception and literary criticism, analyzes temporal and geographic context, and stresses the importance and nuances of the cultural context in which a work and its criticism arise. Aiello's study re-evaluates a familiar theoretical framework, providing a new perspective for scholars in the field.’ — Megan Luttrell, Slavic and East European Journal 58.4, Winter 2014, 722-24
  • ‘Fedor Dostoevskii once wrote in a letter to his brother, ‘Man is a mystery. It needs to be unravelled.’ Lucia Aiello’s new monograph traces the broad scope of social, psychological, and, most frequently, biographical criticism in Britain that has sought to unravel the mysteries of his major works.’ — Patrick Jeffery, Modern Language Review 111.2, April 2016, 600-601 (full text online)

Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation
Sara Lyons
Legenda (General Series) 1 July 2015

  • ‘As British aestheticism continues to enjoy a revival of interest, it becomes ever more urgent to reassess the metaphysical work that Pater and Swinburne have done for us in their search for a way beyond doubt. Algernon Swinburne and Walter Pater is a timely reminder of our intellectual inheritance from this moment of crisis in Western religion.’ — Orla Polten, Essays in Criticism 66.3, July 2016, 390-96
  • ‘Sara Lyons’s admirable monograph will prove a cornerstone in Victorian studies and will soon become invaluable to students and scholars alike working on 19th-century literature and culture.’ — Charlotte Ribeyrol, Cahiers victoriens et édouardiens 83, Printemps 2016
  • ‘Lyons’s rethinking of Swinburne’s and Pater’s relationship to religion is absolutely necessary in light of recent revisions of the secularization thesis. She productively complicates the oversimplified binary between belief and unbelief that still too often plagues our readings of Victorian literature, and provocatively asks us to rethink the reasons underlying the Aesthetic Movement’s embrace of an ‘art for art’s sake’ philosophy. Algernon Swinburne and Walter Pater should be read by scholars of aestheticism, nine- teenth-century religion, and Victorian literature more generally.’ — Dustin Friedman, Review of English Studies Advance Access 4 October 2016
  • ‘A valuable addition to scholarship on Swinburne, Pater and aestheticism.’ — Beth Newman, Victorian Studies 60.1, Autumn 2017, 126-28

Aloysius Bertrand's Gaspard de la Nuit: Beyond the Prose Poem
Valentina Gosetti
Legenda (General Series) 1 September 2016

  • ‘It is Baudelaire that dubs [Bertrand] the pioneer of the prose-poem and out of this well-meaning act springs the genie of subsequent critical depreciation. Gosetti’s absorbing and hugely valuable historical recontextualization of Bertrand gives us just the tools we need to do Gaspard altogether better justice.’ — Clive Scott, Journal of European Studies 47.1, 2017, 82-83
  • ‘In her informative and thoroughly researched monograph, Valentina Gosetti contends that developing a fuller understanding of Bertrand’s Gaspard de la Nuit is contingent upon a wider appreciation of the historical, social, cultural, and literary contexts in which the collection was produced... This study, which includes an appendix containing four beautiful English translations by Gian Lombardo, is a valuable contribution to the scholarship on Bertrand in the Anglophone world. It will be of great interest to historians and literary scholars of French Romanticism.’ — Catherine Witt, H-France 17, 2017
  • ‘In clear and eloquent prose, Gosetti presents a lively and thoroughly interesting account of Gaspard that illuminates a creative experimental work deserving of its proper spot in the canon of French Romantic literature... Gosetti convinces the reader many times over that Gaspard de la Nuit is an audacious nexus of literary and artistic motifs that emerge once the portrait of the artist is allowed to share the Romantic limelight.’ — Karen F. Quandt, Nineteenth-Century French Studies 46.1-2, 2017
  • ‘This elegant and beautifully written monograph seeks to offer new insights into Gaspard de la nuit, by returning to the literary and cultural context in which it was written, and approaching it on its own terms... Gosetti’s book richly deserves to achieve its aim of encouraging readers to pick up Bertrand, but it also offers an enormously rewarding read for anyone interested more generally in prose poetry, provincial literature, and the role of the fantastic in nineteenth-century France.’ — Fiona Cox, French Studies 71.4, October 2017, 585-86 (full text online)
  • ‘«Fascinating work» que ce Gaspard de la Nuit, écrit-elle dans les dernières lignes de sa conclusion: le lecteur en est toujours plus convaincu après avoir lu ce brillant essai.’ — Christine Marcandier, Revue Bertrand No. 1, 2018, 256-59

Anglo-German Interactions in the Literature of the 1890s
Patrick Bridgwater
Legenda (General Series) 1 August 1999

  • ‘The author is to be congratulated for shedding new light on a wide range of Anglo-German cross-currents... His study weaves a multi-faceted web of historical and inter-personal connections, and is at its best when it forges links between the approaches of different authors and diverse forms of art.’ — Susanne Stark, Modern Language Review 97.2, 2002, 523-4 (full text online)
  • ‘This well-documented volume provides new insights into the key social and cultural issues of the 1890s, including the truth and morality of artistic writing.’ — Crocker and Womack, The Year's Work in English Studies 2000, 532

Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs
Edited by Edith Hall and Amanda Wrigley
Legenda (General Series) 24 August 2007

  • ‘This volume, produced under the auspices of the Archive of Performances of Greek and Roman Drama, contains an all-encompassing performance history of three plays of Aristophanes' Old Comedy from their first performance to the present day. Aristophanic comedy, despite its highly politicized, sexual, and time-bound humour, is shown to be the touchstone of comedy, influential from the Renaissance onwards.’ — Regine May, Modern Language Review 103.3, July 2008, 807-08 (full text online)
  • ‘This exceptionally handsome and well-produced volume... Its scope, as its title indicates, is very broad, and most of its readers are likely to be selective in the use they make of it. Roughly half of the essays discuss twentieth-century productions of Aristophanes’ plays and there is, inevitably, an emphasis upon the problems involved in translation in both the narrower (linguistic) and the broader (theatrical/cultural) senses of the term.’ — unsigned notice, Forum for Modern Language Studies 45.3 (2009), 351-54
  • ‘There are dozens of plates in this volume, and the visual record of the performances described can be of great interpretative value for the reader. There is a healthy range in the scale of these performances: university productions or small-scale professional (or semi-professional) shows stand alongside much better funded and larger scale endeavours. This is, I feel, essential.’ — C. W. Marshall, Phoenix LXIV.1-2, 2010, 172-75

Artful Seduction: Homosexuality and the Problematics of Exile
Karl Posso
Legenda (General Series) 1 December 2003

The Artificial Self: The Psychology of Hippolyte Taine
Hilary Nias
Legenda (General Series) 1 October 1999

  • ‘Given the relative dearth of serious work on the writers who formed the philosophical backbone to nineteenth-century literary France, a study of any one of them is welcome, a study of this quality of scholarship, insight and precision a real feast.’ — David C. J. Lee, Modern Language Review 96.3, 2001, 830-1 (full text online)
  • ‘This authoritative study of Taine's indirectness and inconclusiveness will be an indispensable foundation.’ — unsigned notice, Forum for Modern Language Studies 37.3, 2001, 347
  • ‘A probing and stimulating contribution to Tainian studies.’ — Thomas H. Goetz, Nineteenth-Century French Studies 29.3-4, 2001, 370-1

Assuming the Light: The Parisian Literary Apprenticeship of Miguel Angel Asturias
Stephen Henighan
Legenda (General Series) 1 December 1999

  • ‘The combination of close textual analysis of Asturias's own work, both fictional and journalistic, with that of other discourses, including the work of his contemporaries as well as his critics, is, in my view, one of the many strengths of Assuming the Light. Frequently provocative and meticulously researched, this book will be of interest therefore not only to Asturias specialists but also more generally to scholars engaged in Latin American cultural studies, particularly those interested in questions of cultural identity.’ — Claire Lindsay, Modern Language Review 97.3, 2002, 742-3 (full text online)
  • ‘Lucid, sophisticated, beautifully written, it provides a valuable and thought-provoking introduction to the writer's extraordinary sojourn in Paris... Stephen Henighan seems destined to make an outstanding contribution to Asturias studies.’ — Gerald Martin, Bulletin of Hispanic Studies 79, 2002
  • ‘Valuable, problematic insights for those conversant with Asturias's work and its criticism.’ — Paul Jordan, Bulletin of Spanish Studies LXXIX, 2002, 826-8

Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series) 4 February 2005

  • ‘A short review cannot do justice to this arresting critical work. A combination of bold ideas with a meticulous attention to detail and a broad theoretical foundation characterizes O'Rawe's critical approach. Insights are always well substantiated with abundant evidence... Both a major contribution to Pirandello scholarship and a seminal challenge to narrative criticism.’ — Jennifer Lorch, Modern Language Review 103.4, October 2008, 1140-41 (full text online)

Authority, Innovation and Early Modern Epistemology: Essays in Honour of Hilary Gatti
Edited by Martin McLaughlin, Ingrid D. Rowland and Elisabetta Tarantino
Legenda (General Series) 9 October 2015

The Backward Look: Memory and the Writing Self in France 1580-1920
Angelica Goodden
Legenda (General Series) 1 July 2000

  • ‘Reads like an essay by Montaigne... an ambitious and thought-provoking study.’ — Michéle Bissiére, French Review 76.3, 2003, 592-3
  • ‘It is salutary to read a thoughtful, level-headed and well-informed account of the representation of the self in French writing... there is no doubting the depth, range and persuasiveness of the thesis advanced.’ — Anthony Strugnell, French Studies LVII.3, 2003, 428-30

Bakhtin between East and West: Cross-Cultural Transmission
Karine Zbinden
Legenda (General Series) 7 December 2006

  • ‘Zbinden exhibits considerable theoretical insight and a capacity for nuanced analysis throughout the work.’ — R. Coates, Slavonic and East European Review 87.2, 2009, 344-46 (full text online)
  • ‘Exceptional new work being produced on the Russian polymath, some of the most interesting of which was coming out of the University of Sheffield, whose Bakhtin Centre supports the work of an outstanding group of language theorists... Karine Zbinden and Alastair Renfrew are two of the excellent younger scholars from the Bakhtin Centre.’ — Michael Bernard-Donals, Slavic Review 68.1, Spring 2009, 193-95

Baudelaire: Individualism, Dandyism and the Philosophy of History
Bernard Howells
Legenda (General Series) 1 June 1996

  • ‘This is Baudelaire as iceberg, in Claude Pichois's term, the writer whose reading lurks like a huge submerged mass... Baudelaireans will be pleased to have these essays in so convenient a form, and graduate students focusing on the nineteenth century will find them both challenging and informing.’ — Rosemary Lloyd, Nineteenth-Century French Studies 30.3-4, 2002, 417-19
  • ‘Le lecteur estimera surtout dans l'oeurage de Howells la richesse et la subtilité de parallèles, surtout avec Emerson et Carlyle, fondés sur des relations de fait et la mise en situation et en perspective de textes de Baudelaire qu'une critique fran°aise parfois étroitement nationale a pu appréhender de manière trop isolée.’ — Claude de Grève, Revue de littérature comparée 3, 1997, 391-3
  • ‘The great advantage of Howells's unflappable approach to Baudelaire's flower-pot philosophising is its corrosive effect on commonplaces of Baudelaire criticism... A valuable contribution to the art of defining a poet's philosophy.’ — Graham Robb, Times Literary Supplement 24 January, 1997
  • ‘Howells has undertaken an admirable close re-reading of Baudelaire's work by paying attention to its allusive intellectual density and to the contexts into which it should be placed.’ — Dudley M. Marchi, Comparatist 22, 1998, 208-9

Berceo's 'Vida de Santa Oria': Text, Translation and Commentary
Anthony Lappin
Legenda (General Series) 1 November 2000

  • ‘While chiefly important for providing the specialist with a reliable version of the VSO, it also gives a detailed commentary on the text: both of these will now be indispensable tools for the Berceo scholar. The English translation will usefully serve to make the Vida de Santa Oria accessible to scholars of other disciplines.’ — Gregory Peter Andrachuk, Modern Language Review 97.3, 2002, 743-5 (full text online)
  • ‘The problems presented to a modern editor of Berceo's Vida de Santa Oria are daunting. The text survives in a unique medieval copy [which] appears to have been made, at the most conservative estimate, more than a century after the death of its author... Lappin keeps Berceo's text clean and readable by relegating textual notes to the end, and supports the text with over a hundred pages of informed and detailed critical commentary... There is much to be said for [Lappin's] essentially pragmatic editorial approach. It honestly confronts the problem of a late or corrupt copy-text and does not assume, as has happened so often in the past, that an author who has become part of the canon is therefore free from literary sin and incapable of omission or logical inconsistency. Lappin's Berceo emerges as an immaculate composer of verse but a vulnerable story-teller.’ — Ian Macpherson, Bulletin of Spanish Studies LXXX, 2003, 112-13
  • ‘Should become the standard reference for all future research on the Vida and, indeed, a touchstone for studying all of Berceo's hagiographies.’ — E. Michael Gerli, Speculum 2003, 2003, 936-8
  • ‘Un buon lavoro, che risolve sicuramente alcuni problemi editoriali e interpretavi.’ — Eduardo Blasco Ferrer, Zeitschrift für romanische Philologie 120/2, 2004, 411-14
  • ‘The publication of a full lenght study and edition of one of Berceo's hagiographic works is a rare event; even rarer is the appearance of an English translation. But this book is not likely to be remembered for these reasons. More likely is that it will be read for what it is: a radical, but flawed, attempt to breathe new life into Oria scholarship.’ — Andrew M. Beresford, Bulletin of Hispanic Studies Volume 80, n.1, January 2003, 119-20

Bernardin de Saint-Pierre: A Life of Culture
Malcolm Cook
Legenda (General Series) 5 September 2006

  • ‘We tend to think of the author of Paul et Virginie as a one-hit wonder. This new biography shows that he was a man of many parts... Malcolm Cook draws on his unrivalled knowledge of Bernardin's manuscripts to give the life and works a personal and "cultural" frame.’ — Robin Howells, Modern Language Review 104.1, January 2009, 203-04 (full text online)
  • ‘An intriguing book, full of surprises: a window into the mind of the researcher as well into the life of his subject.’ — Dena Goodman, French Studies 479
  • ‘Maintaining an almost scientific objectivity, the biographer proceeds with caution in his assessments, reevaluating and correcting previous sources without speculating unnecessarily in the absence of evidence. From this process emerges the unembellished and contained sketch of a writer who lived a full and interesting life during challenging times. Specialists and general readers alike will certainly want to know more about Bernardin after reading this biography.’ — Christina Ionescu, French Review 82.1, 2009, 159-60
  • ‘Commentateur des œuvres de Bernardin de Saint-Pierre, historien de la littérature de la période révolutionnaire, particulièrement intéressé par les questions de réception (comme en témoignent les colloques qu’il a organisés sur les réécritures et sur la critique), Cook donne une biographie qui est au confluent de ses thèmes d’étude de prédilection, et qui doit être lue parallèlement à ses travaux antérieurs.’ — Youmna Charara, Eighteenth-Century Fiction 22.3, 2010, 735-36
  • ‘This is a wonderfully readable and insightful book, exceptionally richly illustrated with unpublished manuscript documents, and written with a true love for its subject.’ — Mark Darlow, Journal of Eighteenth Century Studies 33.2, June 2010, 284

Biographies and Autobiographies in Modern Italy
Edited by Martin McLaughlin and Peter Hainsworth
Legenda (General Series) 23 February 2007

  • ‘Hainsworth and McLaughlin open the volume with a succinct, clear and meaty disquisition on the nature of biography and autobiography. Their Introduction furnishes, in lively prose, an overview of the state of such writing in Italy... A fascinating glimpse into the life histories, and the shaping of life histories, by an eclectic group of Italians. Its chapters provide useful information on the less-known and engrossing new insights into familiar canonical figures.’ — Risa Sodi, Biography 32.3, Summer 2009, pp. 562-65
  • ‘These pieces all share John Woodhouse's sentiment that the life lived and written by an author are "mutually illuminating" and that writing loses much when "seen solely within the terms of a textual universe".’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 107-08

Britain and Italy from Romanticism to Modernism: A Festschrift for Peter Brand
Edited by Martin McLaughlin
Legenda (General Series) 1 November 2000

  • ‘The book concludes with a useful bibliography of Peter Brand's work and offers a valuable résumé of work in the field since Brand's pioneering study.’ — unsigned notice, Forum for Modern Language Studies xxxix/1, 2003, 91
  • ‘This rich and varied collection of essays... a worthy homage to Peter Brand.’ — Carmine G. di Biase, Italica 79.4, 2002, 568-72
  • ‘A volume that, with its interlacing strands, very effectively offers a picture of the complex relationship between two cultures reciprocally illuminating each other in often unpredictable ways.’ — Laura Lepschy, Modern Language Review 98.2, 2003, 482-3 (full text online)
  • ‘Une présentation très claire, dans laquelle toutefois le titre peut paraïtre trompeur, car il resterait à explorer, pendant cette même période, ce qu'apporte précisément cet autre aspect de la culture moderne italienne qu'est par exemple sa production romanesque. On songe à Manzoni (1785-1873) dont l'èuvre reflète à bien des égards le passage du Romantisme au Modernisme.’ — Annie Dubernard Laurent, Revue de littérature comparée 3, 2002, 381-3

The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38
Robert Pyrah
Legenda (General Series) 5 July 2007

  • ‘This excellent volume provides an invaluable extra dimension to previous publications on Austrian theatre between the wars through the rigorous use of archival material, reinforcing and enhancingwork based mainly on texts, reports, and reviews in the Viennese press and journals. This is a work which will be important not only to literary historians, particularly of the theatre, but also to political historians, demonstrating as it does how the history of that troubled period in Austria directly affected the theatre.’ — John Warren, Modern Language Review 103.4, October 2008, 1164-65 (full text online)
  • ‘A significant and welcome contribution to the slowly expanding body of work examining the interface of culture and politics in the First Austrian Republic... Original and well-researched.’Forum for Modern Language Studies 231)

The Cervantean Heritage: Reception and Influence of Cervantes in Britain
Edited by J. A. G. Ardila
Legenda (General Series) 23 December 2008

  • ‘Resulta reconfortante para cualquier investigador interesado en los textos de Miguel de Cervantes comprobar que, tras la explosión de estudios surgidos en torno a las celebraciones del año 2005, cuarto centenario de la publicación del Quijote, el cervantismo está más vivo que nunca. De hecho, es precisamente ahora, tras el paso del ciclón de publicaciones que trajo consigo dicho aniversario, cuando surge la oportunidad de realizar análisis nacidos más al calor de la curiosidad real y el rigor y menos de la oportunidad o el oportunismo. Este libro supone una muy valiosa aportación para el campo de los estudios cervantinos pero también para el estudio de la literatura británica, y especialistas de ambos campos encontrarán en él material ineludible y original con el que ganar en conocimiento y sobre todo, una herramienta con la que continuar avanzando en el no siempre bien conocido ni estudiado campo de las relaciones literarias y culturales hispano-británicas.’ — Ana M. Rodríguez-Rodríguez, Iberoamericana IX.36, 2009, 189-91
  • ‘Rather than emanating from the Cervantesmania that has informed most of the book-length studies on Cervantes's influence on English-speaking writers [since the 2005 anniversary year], the present volume benefits from the fact that its contributors come from among the pre-2005 generation of critics, who have drawn on their experience of digging out Cervantes's actual influence on British literature.’ — unsigned notice, Forum for Modern Language Studies 47.1, January 2011

Channel Crossings: French and English Poetry in Dialogue 1550-2000
Clive Scott
Legenda (General Series) 1 December 2002

  • ‘Crossing the boundary between the critical and the creative, Clive Scott continues the debate on the 'undecidable' in the meaning of art text and concomitant problems in the theory of translation.’ — Roger Pensom, Modern Language Review 99.1, 2004, 281-2 (full text online)
  • ‘The imaginative and sensitive essays explore the principles of translation and the notion of comparative literature... Stimulating arguments link all the essays, such as the celebration of the necessary difference between source and target texts, especially in poetry, where 'the' meaning remains defiantly unseizable.’ — unsigned notice, Forum for Modern Language Studies XL.1, 2004, 116
  • ‘Scott is a critic who can find the perfect critical expression for the tiniest little effect, who can describe microscopic modulations of thought and language, and thereby give them status in the reading process. He is also a critic with his eye on the big picture, who has produced a discipline-defining book, showing us where we have got to and suggesting where next we might profitably go. It richly deserved to win the Gapper Prize.’ — Patrick McGuinness, French Studies LVIII.3, 2004, 446-7

Chicago of the Balkans: Budapest in Hungarian Literature 1900-1939
Gwen Jones
Legenda (General Series) 4 March 2013

  • ‘Based on a historical contextualization of the social background of writers and the ideological debates of the time, a good knowledge of the secondary literature, a detailed discussion of the content and plots of relevant literary works and ample quotations in Hungarian (consistently translated in English) from a representative sample of novels and short stories, Jones’s book is a social history of Budapest literature.’ — Alexander Vari, Slavonic and East European Review 93.2, April 2015, 352-55 (full text online)

Childhood as Memory, Myth and Metaphor: Proust, Beckett, and Bourgeois
Catherine Crimp
Legenda (General Series) 21 December 2012

  • ‘Challenging and original, this is a study that will appeal not just to specialists of these three creative figures but also to everyone interested in narrative, metaphors, and the ways in which the image of the child simultaneously enables and challenges creativity.’ — Rosemary Lloyd, French Studies 67.4, October 2013, 584-85
  • ‘The study is informed by a wide array of philosophical and theoretical points of reference and relies especially on Maurice Blanchot’s writing to make a convincing case for the importance of childhood in the oeuvres of Proust, Beckett and Bourgeois.’ — unsigned notice, Forum for Modern Language Studies 50.4, October 2014, 504

Classical Rhetoric and the German Poet: 1620 to the Present
Anna Carrdus
Legenda (General Series) 1 January 1997

  • ‘The tone is confident, the style lucid. Within a few pages the reader senses how purposeful the exposition is, and how well thought out. But what makes Anna Carrdus's performance so assured is her obvious commitment to poetry itself... It concludes with a wish that may sound audacious, yet which the undertaking wholly justifies: 'My findings will, I hope, open up an opportunity for scholarship to revise current perceptions of the history of German poetry.' She has already revised them herself, single-handed.’ — Peter Skrine, Modern Language Review 94.1, 1999, 243-5 (full text online)
  • ‘Die Analysen sind treffich, und die Er≥rterungen zum literarhistorischen und poetologischen Kontext zeugen von groôer Kennerschaft.’ — Joachim Knape, Germanistik 41.2, 2000, 419