64 | The Sense of Fracture in Goliarda Sapienza and Elena Ferrante: Fragile Selves, Fragile Others Rebecca Walker Italian Perspectives 64 |
61 | Alan of Lille and Dante: Divine Predication from the Twelfth to the Fourteenth Century Gabriella Addivinola Italian Perspectives 61 |
59 | Dante’s Blood Anne C. Leone Italian Perspectives 59 |
60 | Rome, 16 October 1943: History, Memory, Literature Mara Josi Italian Perspectives 60 |
58 | Standing at the Crossroads: Stories of Doubt in Renaissance Italy Marco Faini Italian Perspectives 58 |
48 | Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy Eugenio Refini Italian Perspectives 48 |
55 | Classical Comedy 1508-1786: A Legacy from Italy and France Richard Andrews Italian Perspectives 55 |
57 | Dante and Petrarch in the Garden of Language Francesca Southerden Italian Perspectives 57 |
53 | Narrative Strategies for Participation in Dante's Divine Comedy Katherine Powlesland Italian Perspectives 53 |
51 | Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto Alessandra Diazzi Italian Perspectives 51 |
50 | Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice Ronnie Ferguson Italian Perspectives 50 |
45 | Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino Marzia Beltrami Italian Perspectives 45 |
47 | Saracens and their World in Boiardo and Ariosto Maria Pavlova Italian Perspectives 47 |
46 | Renaissance Vegetarianism: The Philosophical Afterlives of Porphyry’s On Abstinence Cecilia Muratori Italian Perspectives 46 |
43 | Forms of Thinking in Leopardi’s Zibaldone: Religion, Science and Everyday Life in an Age of Disenchantment Paola Cori Italian Perspectives 43 |
42 | Unidentified Narrative Objects and the New Italian Epic Kate Elizabeth Willman Italian Perspectives 42 |
40 | A 'New' Woman in Verga and Pirandello: From Page to Stage Enza De Francisci Italian Perspectives 40 |
38 | Fulvio Tomizza: Writing the Trauma of Exile Marianna Deganutti Italian Perspectives 38 |
35 | Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation Emanuela Patti Italian Perspectives 35 |
34 | Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda Alberto Godioli Italian Perspectives 34 |
33 | The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature Simone Brioni Italian Perspectives 33 |
32 | Rome Eternal: The City As Fatherland Guy Lanoue Italian Perspectives 32 |
30 | Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius Laura Rorato Italian Perspectives 30 |
29 | Gadda and Beckett: Storytelling, Subjectivity and Fracture Katrin Wehling-Giorgi Italian Perspectives 29 |
28 | Leopardi's Nymphs: Grace, Melancholy, and the Uncanny Fabio A. Camilletti Italian Perspectives 28 |