64The Sense of Fracture in Goliarda Sapienza and Elena Ferrante: Fragile Selves, Fragile Others
Rebecca Walker 
Italian Perspectives 64
61Alan of Lille and Dante: Divine Predication from the Twelfth to the Fourteenth Century
Gabriella Addivinola 
Italian Perspectives 61
59Dante’s Blood
Anne C. Leone 
Italian Perspectives 59
60Rome, 16 October 1943: History, Memory, Literature
Mara Josi 
Italian Perspectives 60
58Standing at the Crossroads: Stories of Doubt in Renaissance Italy
Marco Faini 
Italian Perspectives 58
48Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy
Eugenio Refini
Italian Perspectives 48
55Classical Comedy 1508-1786: A Legacy from Italy and France
Richard Andrews
Italian Perspectives 55
57Dante and Petrarch in the Garden of Language
Francesca Southerden
Italian Perspectives 57
53Narrative Strategies for Participation in Dante's Divine Comedy
Katherine Powlesland
Italian Perspectives 53
51Psychoanalysis, Ideology and Commitment in Italy 1945-1975: Edoardo Sanguineti, Ottiero Ottieri, Andrea Zanzotto
Alessandra Diazzi
Italian Perspectives 51
50Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Ronnie Ferguson
Italian Perspectives 50
45Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Italian Perspectives 45
47Saracens and their World in Boiardo and Ariosto
Maria Pavlova
Italian Perspectives 47
46Renaissance Vegetarianism: The Philosophical Afterlives of Porphyry’s On Abstinence
Cecilia Muratori
Italian Perspectives 46
43Forms of Thinking in Leopardi’s Zibaldone: Religion, Science and Everyday Life in an Age of Disenchantment
Paola Cori
Italian Perspectives 43
42Unidentified Narrative Objects and the New Italian Epic
Kate Elizabeth Willman
Italian Perspectives 42
40A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40
38Fulvio Tomizza: Writing the Trauma of Exile
Marianna Deganutti
Italian Perspectives 38
35Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation
Emanuela Patti
Italian Perspectives 35
34Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
Alberto Godioli
Italian Perspectives 34
33The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature
Simone Brioni
Italian Perspectives 33
32Rome Eternal: The City As Fatherland
Guy Lanoue
Italian Perspectives 32
30Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30
29Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29
28Leopardi's Nymphs: Grace, Melancholy, and the Uncanny
Fabio A. Camilletti
Italian Perspectives 28