Fraser, Hilary, ‘Ruskin, Italy, and the Past’, in Britain and Italy from Romanticism to Modernism: A Festschrift for Peter Brand, ed. by Martin McLaughlin (Cambridge: Legenda, 2000), pp. 87–106

Fraser, Hilary, review of Andrew Thompson, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, in North American Short Stories and Short Fictions, ed. by Nicola Bradbury (= Yearbook of English Studies, 31.1 (2001)), 286–87

Fraser, Hilary, review of Barbara J. Black, On Exhibit: Victorians and Their Museums, in Children in Literature, ed. by Karin Lesnik-Oberstein (= Yearbook of English Studies, 32.1 (2002)), 306–07

Fraser, Hilary, review of Catherine Maxwell, The Female Sublime from Milton to Swinburne: Bearing Blindness, in Modern Language Review, 98.4 (2003), 963–64

Fraser, Hilary, ‘Women and the Art of Fiction’, in The Arts in Victorian Literature, ed. by Stefano Evangelista and Catherine Maxwell (= Yearbook of English Studies, 40.1 (2010)), 61–82

Fraser, Hilary, ‘Aesthetics, Visuality and Feelings in the Natural Theology of Gerard Manley Hopkins and Alice Meynell’, in Form and Feeling in Modern Literature: Essays in Honour of Barbara Hardy, ed. by William Baker with Isobel Armstrong (Cambridge: Legenda, 2013), pp. 88–99