Fraser, Hilary, review of Catherine Maxwell, The Female Sublime from Milton to Swinburne: Bearing Blindness, in Modern Language Review, 98.4 (2003), pp. 963–64, doi:10.2307/3737949

Fraser, Hilary, ‘Aesthetics, Visuality and Feelings in the Natural Theology of Gerard Manley Hopkins and Alice Meynell’, in Form and Feeling in Modern Literature: Essays in Honour of Barbara Hardy, ed. by William Baker with Isobel Armstrong (Legenda, 2013), pp. 88–99, doi:

Fraser, Hilary, review of Andrew Thompson, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, in North American Short Stories and Short Fictions, ed. by Nicola Bradbury (= Yearbook of English Studies, 31.1 (2001)), pp. 286–87, doi:10.2307/3509431

Fraser, Hilary, ‘Women and the Art of Fiction’, in The Arts in Victorian Literature, ed. by Stefano Evangelista and Catherine Maxwell (= Yearbook of English Studies, 40.1 (2010)), pp. 61–82, doi:10.2307/41059781

Fraser, Hilary, review of Barbara J. Black, On Exhibit: Victorians and Their Museums, in Children in Literature, ed. by Karin Lesnik-Oberstein (= Yearbook of English Studies, 32.1 (2002)), pp. 306–07, doi:10.2307/3509099

Fraser, Hilary, ‘Ruskin, Italy, and the Past’, in Britain and Italy from Romanticism to Modernism: A Festschrift for Peter Brand, ed. by Martin McLaughlin (Legenda, 2000), pp. 87–106, doi: