| Series | Extent | Year | Author | Title |
| LGS | — | 2009 | Kate Griffiths | Emile Zola and the Artistry of Adaptation |
| LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight,
Judith Still | Women, Genre and Circumstance |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon,
Libby Saxton | Holocaust Intersections |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| MI 7 | 218pp | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| MI 9 | 184pp | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 13 | 198pp | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| RMFS 20 | 112pp | 2006 | Sarah Cooper | Selfless Cinema? |
| RMFS 41 | 135pp | 2014 | Cécile Bishop | Postcolonial Criticism and Representations of African Dictatorship |
| RMFS 49 | 162pp | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| SLS 6 | 34pp | 2003 | Leo Bersani,
Ulysse Dutoit | Forming Couples |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |