| Series | Extent | Year | Author | Title |
| CT 1 | — | 2005 | ed Claire Moran | Odilon Redon |
| CT 50 | — | 2017 | ed Claire Moran | ‘Noa Noa’ by Paul Gauguin and Charles Morice |
| LGS | 284pp | 2000 | Ian James | Pierre Klossowski |
| LGS | 218pp | 2007 | ed Nathalie Aubert, Pierre-Philippe Fraiture, Patrick McGuinness | From Art Nouveau to Surrealism |
| LGS | 216pp | 2007 | James Kearns | Théophile Gautier, Orator to the Artists |
| LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
| LGS | 222pp | 2011 | Áine Larkin | Proust Writing Photography |
| LGS | 258pp | 2017 | ed Jane Desmarais, Alice Condé | Decadence and the Senses |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope, Pauline Souleau | Performing Medieval Text |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| MI 6 | 224pp | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| RMFS 48 | 128pp | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |
| SE 10 | 230pp | 2022 | Peter Dayan | For the Love of Art |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 43 | 590pp | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |