Harris, Joseph (ed.). 2023. Louis-Sébastien Mercier, Le Vieillard et ses trois filles and Timon d’Athènes: Two Shakespeare Adaptations, Critical Texts, 82 (MHRA)

Held, Phoebe von. 2011. Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda)

Henry, Melanie. 2013. The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA)

Hiscock, Andrew (ed.). 2008. Tudor Literature (= Yearbook of English Studies, 38.1)

Hostiou, Jeanne-Marie (ed.). 2013. Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé, Phoenix, 5 (MHRA)

Humphrey, Paul. 2019. Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Legenda)

Hunter, G. K., and C. J. Rawson (eds). 1979. Theatrical Literature (= Yearbook of English Studies, 9.1)

James, Dorothy. 1982. Georg Büchner's 'Dantons Tod': A Reappraisal, MHRA Texts and Dissertations, 16 (MHRA)

Jones, Suzanne. 2020. The First English Translations of Molière: Drama in Flux 1663-1732, Transcript, 13 (Legenda)

King, Pamela M., Sue Niebrzydowski, and Diana Wyatt (eds). 2013. Early English Drama (= Yearbook of English Studies, 43.1)

Kord, Susanne (ed.). 2005. Letzte Chancen: Vier Einakter von Marie von Ebner-Eschenbach, Critical Texts, 3 (MHRA)

Kord, Susanne (ed.). 2005. Macht des Weibes: Zwei historische Tragödien von Marie von Ebner-Eschenbach, Critical Texts, 4 (MHRA)

Li, Lin. 2022. Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda)

London, John. 1997. Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA)

Loughnane, Rory, Andrew J. Power, and Peter Sillitoe (eds). 2014. Caroline Literature (= Yearbook of English Studies, 44.1)

Louth, Charlie, and Patrick McGuinness (eds). 2019. Gravity and Grace: Essays for Roger Pearson (Legenda)

Marchand, Sophie (ed.). 2011. Monvel, Les Victimes cloîtrées, Phoenix, 1 (MHRA)

McCarthy-Rechowicz, Matthew. 2018. Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria, Germanic Literatures, 1 (Legenda)

McDonald, Ronan (ed.). 2005. Irish Writing since 1950 (= Yearbook of English Studies, 35.1)

McKenzie, John R. P., and Lesley Sharpe (eds). 1998. The Austrian Comic Tradition: Studies in Honour of W. E. Yates (= Austrian Studies, 9)

Minier, Márta, and Lily Kahn (eds). 2021. Hamlet Translations: Prisms of Cultural Encounters across the Globe, Transcript, 16 (Legenda)

Noonan, Mary. 2014. Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude, Research Monographs in French Studies, 36 (Legenda)

O'Rawe, Catherine. 2005. Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello (Legenda)

Panizza, Letizia (ed.). 2000. Women in Italian Renaissance Culture and Society (Legenda)

Perazzolo, Paola (ed.). 2016. Gabriel-Marie Legouvé, La Mort d'Abel, Critical Texts, 61 (MHRA)

Phillippo, Susanna. 2003. Silent Witness: Racine's Non-Verbal Annotations of Euripides, Research Monographs in French Studies, 14 (Legenda)

Poole, William, and Richard Scholar (eds). 2007. Thinking with Shakespeare: Comparative and Interdisciplinary Essays (Legenda)

Prest, Julia (ed.). 2017. Les Veuves créoles, Critical Texts, 34 (MHRA)

Pyrah, Robert. 2007. The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38 (Legenda)

Quint, Alyssa, and Amanda Miryem-Khaye Seigel (eds). 2023. Women on the Yiddish Stage, Studies In Yiddish, 19 (Legenda)

Rayfield, Lucy. 2022. Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda)

Refini, Eugenio. 2023. Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Legenda)

Renton, Linda. 2002. Pinter and the Object of Desire: An Approach through the Screenplays (Legenda)

Ros, Xon de, and Daniela Omlor (eds). 2017. The Cultural Legacy of María Zambrano, Studies in Hispanic and Lusophone Cultures, 24 (Legenda)

Saint, Nigel. 2000. Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Legenda)

Sampson, Lisa. 2006. Pastoral Drama in Early Modern Italy: The Making of a New Genre, Italian Perspectives, 15 (Legenda)

Santis, Vincenzo De (ed.). 2015. Christophe Colomb par Népomucène Louis Lemercier, Phoenix, 7 (MHRA)

Schofield, Benedict. 2012. Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895), Bithell Series of Dissertations, 37 (MHRA)

Shoemaker, Peter William (ed.). 2013. Les Costeaux, ou les marquis frians, by Jean Donneau de Visé, Critical Texts, 31 (MHRA)

Silva, M. Helena Gonçalves da. 1985. Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht, MHRA Texts and Dissertations, 21 (MHRA)

Simpson, James. 1999. Goethe and Patriarchy: Faust and the Fates of Desire (Legenda)

Smith, Peter D.. 2000. Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Legenda)

Stevens, Sophie. 2022. Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda)

Subiotto, Arrigo. 1975. Bertolt Brecht's Adaptations for the Berliner Ensemble, MHRA Texts and Dissertations, 8 (MHRA)

Timms, Edward, and Ritchie Robertson (eds). 1993. Theatre and Performance in Austria From Mozart to Jelinek (= Austrian Studies, 4)

Todd, Christopher. 1972. Voltaire's Disciple: Jean François de La Harpe, MHRA Texts and Dissertations, 7 (MHRA)

Townsend, Julie. 2010. The Choreography of Modernism in France: La Danseuse, 1830-1930, Research Monographs in French Studies, 28 (Legenda)

Udall, Joanna. 1991. A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662), MHRA Texts and Dissertations, 31 (MHRA)

Wehling-Giorgi, Katrin. 2014. Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda)

Weller, Shane. 2005. A Taste for the Negative: Beckett and Nihilism (Legenda)