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, Voltaire's Disciple: Jean François de La Harpe, MHRA Texts and Dissertations, 7 (Cambridge: MHRA, 1972)


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, Liber Apologeticus de Omni Statu Humanae Naturae: A Defence of Human Nature in Every State (c. 1460): A Moral Play by Thomas Chaundler, Publications of the Modern Humanities Research Association, 5 (Cambridge: MHRA, 1974)


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, Bertolt Brecht's Adaptations for the Berliner Ensemble, MHRA Texts and Dissertations, 8 (Cambridge: MHRA, 1975)


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, The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism, MHRA Texts and Dissertations, 13 (Cambridge: MHRA, 1979)


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(eds), Theatrical Literature (= Yearbook of English Studies, 9.1 (1979))


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, Georg Büchner's 'Dantons Tod': A Reappraisal, MHRA Texts and Dissertations, 16 (Cambridge: MHRA, 1982)


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, Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht, MHRA Texts and Dissertations, 21 (Cambridge: MHRA, 1985)


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, A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662), MHRA Texts and Dissertations, 31 (Cambridge: MHRA, 1991)


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(ed.), Politics, Patronage and Literature in England 1558-1658 (= Yearbook of English Studies, 21.1 (1991))


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(ed.), Medieval Narrative (= Yearbook of English Studies, 22.1 (1992))


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(ed.), Early Shakespeare (= Yearbook of English Studies, 23.1 (1993))


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(eds), Theatre and Performance in Austria From Mozart to Jelinek (= Austrian Studies, 4 (1993))


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, Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (Cambridge: MHRA, 1997)


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, Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934, Bithell Series of Dissertations, 23 (Cambridge: MHRA, 1998)


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(eds), The Austrian Comic Tradition: Studies in Honour of W. E. Yates (= Austrian Studies, 9 (1998))


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, Goethe and Patriarchy: Faust and the Fates of Desire (Cambridge: Legenda, 1999)


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, Towards a Cultural Philology: Phèdre and the Construction of 'Racine', Research Monographs in French Studies, 4 (Cambridge: Legenda, 1999)


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, Divided Loyalties: East German Writers and the Politics of German Division 1945-1953, Bithell Series of Dissertations, 24 (Cambridge: MHRA, 2000)


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, Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Cambridge: Legenda, 2000)


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(ed.), Women in Italian Renaissance Culture and Society (Cambridge: Legenda, 2000)


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, Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Cambridge: Legenda, 2000)


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(eds), Medea in Performance 1500-2000 (Cambridge: Legenda, 2000)


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, Playing with Gender: The Comedies of Goldoni, Italian Perspectives, 7 (Cambridge: Legenda, 2002)


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, Pinter and the Object of Desire: An Approach through the Screenplays (Cambridge: Legenda, 2002)


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, Silent Witness: Racine's Non-Verbal Annotations of Euripides, Research Monographs in French Studies, 14 (Cambridge: Legenda, 2003)


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(eds), Crossing Fields in Modern Spanish Culture (Cambridge: Legenda, 2003)


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(ed.), Irish Writing since 1950 (= Yearbook of English Studies, 35.1 (2005))


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, A Taste for the Negative: Beckett and Nihilism (Cambridge: Legenda, 2005)


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, Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello (Cambridge: Legenda, 2005)


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(eds), Culture, Censorship and the State in Twentieth-Century Italy (Cambridge: Legenda, 2005)


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(ed.), Letzte Chancen: Vier Einakter von Marie von Ebner-Eschenbach, Critical Texts, 3 (Cambridge: MHRA, 2005)


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(ed.), Macht des Weibes: Zwei historische Tragödien von Marie von Ebner-Eschenbach, Critical Texts, 4 (Cambridge: MHRA, 2005)


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, Pastoral Drama in Early Modern Italy: The Making of a New Genre, Italian Perspectives, 15 (Cambridge: Legenda, 2006)


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(ed.), La Peyrouse dans l’Isle de Tahiti, ou le Danger des Présomptions: Drame politique, Critical Texts, 10 (Cambridge: MHRA, 2006)


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(ed.), François II, roi de France, Critical Texts, 8 (Cambridge: MHRA, 2006)


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(eds), Thinking with Shakespeare: Comparative and Interdisciplinary Essays (Cambridge: Legenda, 2007)


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, Identity and Transformation in the Plays of Alexis Piron (Cambridge: Legenda, 2007)


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, The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38 (Cambridge: Legenda, 2007)


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(eds), Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs (Cambridge: Legenda, 2007)


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, La Devineresse ou les faux enchantemens, Critical Texts, 12 (Cambridge: MHRA, 2007)


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, Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale, Italian Perspectives, 17 (Cambridge: Legenda, 2007)


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(ed.), Tudor Literature (= Yearbook of English Studies, 38.1 (2008))


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, An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 1: General Studies, MHRA Bibliographies, 4 (Cambridge: MHRA, 2008)


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, An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 2: The Plays, MHRA Bibliographies, 4 (Cambridge: MHRA, 2008)


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, An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 3: Autobiographies, Novels, Poetry, Letters, Historical Works, Natural History and Science, Linguistics, Painting and the Other Arts, Politics, Psychopathology, Biography, Miscellaneous, Dissertations, MHRA Bibliographies, 4 (Cambridge: MHRA, 2008)


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(eds), Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 1969-2009, Italian Perspectives, 18 (Cambridge: Legenda, 2009)


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, The Choreography of Modernism in France: La Danseuse, 1830-1930, Research Monographs in French Studies, 28 (Cambridge: Legenda, 2010)


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(eds), Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture, Studies In Yiddish, 8 (Cambridge: Legenda, 2010)


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, Force from Nietzsche to Derrida (Cambridge: Legenda, 2010)


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(eds), Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century (Cambridge: Legenda, 2010)


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(ed.), Monvel, Les Victimes cloîtrées, Phoenix, 1 (Cambridge: MHRA, 2011)


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, Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Cambridge: Legenda, 2011)


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(ed.), Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige, Phoenix, 2 (Cambridge: MHRA, 2011)


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(ed.), Delisle de Sales, Théâtre d'amour and Baculard d’Arnaud, L’Art de foutre, ou Paris foutant, Phoenix, 3 (Cambridge: MHRA, 2011)


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(eds), Laya, L'Ami des lois, Phoenix, 4 (Cambridge: MHRA, 2011)


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, The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu, Research Monographs in French Studies, 35 (Cambridge: Legenda, 2012)


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, Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895), Bithell Series of Dissertations, 37 (Cambridge: MHRA, 2012)


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(eds), Translating Sholem Aleichem: History, Politics and Art, Studies In Yiddish, 10 (Cambridge: Legenda, 2012)


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(eds), Early English Drama (= Yearbook of English Studies, 43.1 (2013))


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, The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (Cambridge: MHRA, 2013)


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(eds), Edoardo Sanguineti: Literature, Ideology and the Avant-Garde, Italian Perspectives, 26 (Cambridge: Legenda, 2013)


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(ed.), Les Costeaux, ou les marquis frians, by Jean Donneau de Visé, Critical Texts, 31 (Cambridge: MHRA, 2013)


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(ed.), Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé, Phoenix, 5 (Cambridge: MHRA, 2013)


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(ed.), The Tradition of the Actor-Author in Italian Theatre, Italian Perspectives, 27 (Cambridge: Legenda, 2013)


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, Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Cambridge: Legenda, 2013)


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, Selected Essays of Malcolm Bowie II: Song Man (Cambridge: Legenda, 2013)


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(eds), Caroline Literature (= Yearbook of English Studies, 44.1 (2014))


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, El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (Cambridge: MHRA, 2014)


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, Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude, Research Monographs in French Studies, 36 (Cambridge: Legenda, 2014)


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(ed.), Le Siège de Calais by Pierre-Laurent De Belloy, Phoenix, 6 (Cambridge: MHRA, 2014)


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, Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Cambridge: Legenda, 2014)


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(eds), Elfriede Jelinek in the Arena: Sport, Cultural Understanding and Translation to Page and Stage (= Austrian Studies, 22 (2014))


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(ed.), Christophe Colomb par Népomucène Louis Lemercier, Phoenix, 7 (Cambridge: MHRA, 2015)


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(eds), The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance (Cambridge: Legenda, 2015)


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, Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz, MHRA Texts and Dissertations, 100 (Cambridge: MHRA, 2015)


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(ed.), Michel-Jean Sedaine: Maillard, ou Paris sauvé et Raimond V, comte de Toulouse, Phoenix, 8 (Cambridge: MHRA, 2015)


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, Oscar Wilde and the Simulacrum: The Truth of Masks, Studies In Comparative Literature, 35 (Cambridge: Legenda, 2015)


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(ed.), Alexis Piron, Gustave-Wasa, Critical Texts, 57 (Cambridge: MHRA, 2016)


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(trans.), Georg Kaiser, After Expressionism: Five Plays, New Translations, 11 (Cambridge: MHRA, 2016)


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(ed.), Gabriel-Marie Legouvé, La Mort d'Abel, Critical Texts, 61 (Cambridge: MHRA, 2016)


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(eds), The Cultural Legacy of María Zambrano, Studies in Hispanic and Lusophone Cultures, 24 (Cambridge: Legenda, 2017)


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(ed.), Les Veuves créoles, Critical Texts, 34 (Cambridge: MHRA, 2017)


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(ed.), Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts, Critical Texts, 58 (Cambridge: MHRA, 2017)


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(ed.), Michel-Jean Sedaine: Théâtre de la Révolution, Critical Texts, 63 (Cambridge: MHRA, 2017)


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, Foreign Parts: German and Austrian Actors on the British Stage 1933-1960, Germanic Literatures, 15 (Cambridge: Legenda, 2017)


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, Maud Beerbohm Tree: Lady of the Stage (Cambridge: Legenda, 2018)


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, Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria, Germanic Literatures, 1 (Cambridge: Legenda, 2018)


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, A 'New' Woman in Verga and Pirandello: From Page to Stage, Italian Perspectives, 40 (Cambridge: Legenda, 2018)


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(eds), Gravity and Grace: Essays for Roger Pearson (Cambridge: Legenda, 2019)


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, Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Cambridge: Legenda, 2019)


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(ed.), Marmontel and Demoustier, Le Misanthrope corrigé: Two Eighteenth-Century Sequels to Molière’s ‘Le Misanthrope’, Critical Texts, 65 (Cambridge: MHRA, 2019)


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, The First English Translations of Molière: Drama in Flux 1663-1732, Transcript, 13 (Cambridge: Legenda, 2020)


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(ed.), Francisco Nieva: Coronada y el toro, Critical Texts, 64 (Cambridge: MHRA, 2021)


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(eds), Hamlet Translations: Prisms of Cultural Encounters across the Globe, Transcript, 16 (Cambridge: Legenda, 2021)


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, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Cambridge: Legenda, 2021)


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, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Cambridge: Legenda, 2022)


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(ed.), Last Scene of All: Representing Death on the Western Stage (Cambridge: Legenda, 2022)


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, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Cambridge: Legenda, 2022)


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, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Cambridge: Legenda, 2022)


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, Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Cambridge: Legenda, 2022)


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, Genet's Genres of Politics, Research Monographs in French Studies, 50 (Cambridge: Legenda, 2022)


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, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Cambridge: Legenda, 2022)


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(ed.), Louis-Sébastien Mercier, Timon d’Athènes, Critical Texts, 82 (Cambridge: MHRA, 2023)


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(ed.), Jean Donneau de Visé, 'Les Intrigues de la loterie, comédie', Critical Texts, 45 (Cambridge: MHRA, 3000)


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, Yvan Goll: The Thwarted Pursuit of the Whole, Germanic Literatures, 14 (Cambridge: Legenda, 3000)


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(eds), Engaging with Troy: Early Modern and Contemporary Scenes, Transcript, 27 (Cambridge: Legenda, 3000)