Finch, Alison, review of Yvette Louria, La Convergence stylistique chez Proust; Valerie Minogue, Proust: Du Côté de chez Swann, in Modern Language Review, 71.1 (1976), 181–84

Finch, Alison, ‘Characterization in the Early "Du côté de chez Swann"’, in Modern Language Review, 74.1 (1979), 49–61

Finch, Alison, review of James W. Mileham, The Conspiracy Novel: Structure and Metaphor in Balzac's 'Comédie humaine', in Modern Language Review, 79.2 (1984), 462–63

Finch, Alison, review of Richard Bolster, Stendhal: 'Le Rouge et le Noir', in Modern Language Review, 91.3 (1996), 731–32

Finch, Alison, review of Richard Bolster, Histoire d'Éléonore de Parme, in Modern Language Review, 93.3 (1998), 838

Finch, Alison, review of Karyna Szmurlo, The Novel's Seductions: Staël's 'Corinne' in Critical Inquiry, in Modern Language Review, 96.2 (2001), 506–08

Finch, Alison, review of Rosemary Lloyd, Brian Nelson, Women Seeking Expression: France 1789-1914, in Modern Language Review, 97.3 (2002), 711–12

Finch, Alison, review of Diana Holmes, Rachilde: Decadence, Gender and the Woman Writer, in Modern Language Review, 98.3 (2003), 723–24

Finch, Alison, review of Martine Reid, Elaine Williamson, Lire la correspondance de Stendhal, in Modern Language Review, 104.4 (2009), 1149–50

Finch, Alison, review of Diana Holmes, Romance and Readership in Twentieth-Century France: Love Stories, in Modern Language Review, 105.1 (2010), 255–56

Finch, Alison, ‘The “Stab” of Short-Story Endings’, in Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize, ed. by Margaret Atack, Diana Holmes, Diana Knight and Judith Still (Cambridge: Legenda, 2012), pp. 85–95


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, Selected Essays of Malcolm Bowie I: Dreams of Knowledge (Cambridge: Legenda, 2013)


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, Selected Essays of Malcolm Bowie II: Song Man (Cambridge: Legenda, 2013)

Finch, Alison, ‘6 Diabolical Wit in Nineteenth-Century French Literature: Its History and its Successors’, in The Made and the Found: Essays, Prose and Poetry in Honour of Michael Sheringham, ed. by Patrick McGuinness and Emily McLaughlin (Cambridge: Legenda, 2017), pp. 133–34