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| Page updated 2 November 2006 |
MHRA Critical Texts Vol. 10
ISBN 0-947623-72-8
20 October 2006
pp. 120
Pbk £12.99 / $24.99
(In French)
This anonymous play was written and published in obviously very limited numbers,
as it is very hard to find, and all indications are that it was not performed
– the preface mentions “directors who would like to undertake
its production”. It is based on two well-known episodes in Pacific exploration
: the voyage of Louis de Bougainville around the world, and his arrival in
Tahiti very soon after Samuel Wallis’ discovery of it, and the later
voyage and disappearance of Jean-François de la Pérouse. Bougainville’s
stay in Tahiti, although brief, had important consequences for French and
European philosophical thought, largely through the enthusiasm felt by some
of those on board his ships, who saw in Tahiti an earthly paradise, the proof
of Rousseau’s theory, at least as interpreted by some, that man was
inherently and naturally good, and only corrupted by civilisation and, in
particular, by property ownership and class distinctions. Here indeed, lived
man in his primitive but happy state, the living proof that had been sought
for many years that the “Noble Savage” existed. This view was
strengthened by the Tahitian, Ahu-toru, whom Bougainville took with him to
France and introduced to Paris society, where he was warmly received.
The other element in the play is the disappearance of La Pérouse’s
two ships, after a lengthy voyage of exploration and a final call at Botany
Bay in Australia. He had left there in 1788 and had not been seen since. The
government encouraged searches for him, organising a major expedition to look
for him, that of D’Entrecasteaux, but it was unsuccessful. When this
play was written, the mystery of the disappearance remained complete, if anything
it was slipping from public interest. Nevertheless, it gave rise to several
books and theatrical performances, such as Kotzebue’s “La Peyrouse:
Ein Schauspiel”, John Fawcett’s “Pérouse or the Desolate
Island”, “Fragmens du Dernier Voyage de Lapérouse”,
a poem by André Chénier, and a theatre-ballet in Naples.
The call at Tahiti also produced two major works: Diderot’s “Supplément
au Voyage de Bougainville” and Giraudoux’s “Supplément
au Voyage de Cook”, while the image of Tahiti and other Pacific islands
became linked with utopian visions, in which one might even include Giraudoux’s
“Suzanne et la Pacifique”.
The aim of the book is to present this rare text to a wider public, accompanied
by an introductory commentary outlining the background, as well as the political
attitudes adopted by the author and the situation in France in the early 1800s,
which probably made it hard for the play ever to get produced or the text
to be made widely available.
Table of Contents:
1. Introduction
2. Analyse de la pièce
3. La Peyrouse dans l'Isle de Tahiti
4. Notes
5. Bibliographie
John Dunmore is Emeritus Professor of French at Massey University and is an
authority on French exploration of the Pacific.